"Salve Regina, R.616 (Antiphona): 5. "Et Jesum" (Andante molto)" by Antonio Vivaldi, Andreas Scholl, Australian Brandenburg Orchestra, Paul Dyer was released on January 1, 2000. The duration of Salve Regina, R.616 (Antiphona): 5. "Et Jesum" (Andante molto) is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Salve Regina, R.616 (Antiphona): 5. "Et Jesum" (Andante molto)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vivaldi: Nisi Dominus; Concerto for Strings & Continuo in F etc. by Antonio Vivaldi, Andreas Scholl, Australian Brandenburg Orchestra, Paul Dyer. The song's track number on the album is #28 out of 29 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Salve Regina, R.616 (Antiphona): 5. "Et Jesum" (Andante molto) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Salve Regina, R.616 (Antiphona): 5. "Et Jesum" (Andante molto) by Antonio Vivaldi, Andreas Scholl, Australian Brandenburg Orchestra, Paul Dyer has a tempo of 111 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Salve Regina, R.616 (Antiphona): 5. "Et Jesum" (Andante molto) being at 111 BPM, the half-time would be 56 BPM with a double-time of 222 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 1/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rameau: Castor et Pollux: "Tristes apprêts" (Télaïre) | Jean-Philippe Rameau, Les Ambassadeurs, Alexis Kossenko | D Major | 0 | 10B | 93 BPM | ||
L'Orfeo, Atto secondo: V. Tu se’ morta | Claudio Monteverdi, Jordi Savall, Furio Zanasi, Le Concert Des Nations | D Minor | 1 | 7A | 82 BPM | ||
Vespro della Beata Vergine, SV 206: Psalmus "Nisi Dominus" | Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion, Adrien Mabire, Marouan Mankar-Bennis, Pierre Gallon | B♭ Major | 2 | 6B | 129 BPM | ||
Stabat Mater: 7. Eia Mater | Giovanni Battista Pergolesi, Andreas Scholl, Les Talens Lyriques, Christophe Rousset | E Minor | 0 | 9A | 113 BPM | ||
Dies iræ, S. 31: Dies iræ | Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé | B Major | 2 | 1B | 91 BPM | ||
Etudes latines: Néère | Reynaldo Hahn, Véronique Gens, Susan Manoff | F♯ Minor | 0 | 11A | 104 BPM | ||
Vespro della Beata Vergine, SV 206: I. Deus in adiutorium | Claudio Monteverdi, Philippe Herreweghe, Collegium Vocale Gent | G Minor | 1 | 6A | 79 BPM | ||
Zelenka: Barbara, dira effera, ZWV 164: I. Barbara, dira, effera | Jan Dismas Zelenka, Jakub Józef Orliński, Francesco Corti, Il Pomo D'oro | E Major | 5 | 12B | 121 BPM | ||
Matteis: Ballo dei Bagatellieri | Nicola Matteis, Maxim Emelyanychev, Il Pomo D'oro | A♭ Minor | 2 | 1A | 123 BPM | ||
Mass in C Minor, K. 427: Mass in C Minor, K. 427: I. Kyrie eleison | Wolfgang Amadeus Mozart, Chœurs du Collegium Vocale et de La Chapelle Royale, Orchestre des Champs-Élysées, Philippe Herreweghe, Christiane Oelze, La Chapelle Royale | C Minor | 1 | 5A | 100 BPM |
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