"Rameau: Castor et Pollux: "Tristes apprêts" (Télaïre)" by Jean-Philippe Rameau, Les Ambassadeurs, Alexis Kossenko was released on October 28, 2013. With this song being about 5 minutes long, at 5:05, "Rameau: Castor et Pollux: "Tristes apprêts" (Télaïre)" by Jean-Philippe Rameau, Les Ambassadeurs, Alexis Kossenko is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 23 in the song's album "Rameau: Le Grand Théâtre de l'amour". In this album, this song's track order is #19. In terms of popularity, Rameau: Castor et Pollux: "Tristes apprêts" (Télaïre) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rameau: Castor et Pollux: "Tristes apprêts" (Télaïre) by Jean-Philippe Rameau, Les Ambassadeurs, Alexis Kossenko having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 1/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Six Concerts transcrits en Sextuor, Sixième concert: La poule | Jean-Philippe Rameau, Teodor Currentzis | F♯ Minor | 3 | 11A | 116 BPM | ||
La Betulia liberata: Aria "Prigionier che fa ritorno" | Niccolò Jommelli, Delphine Galou, Accademia Bizantina, Ottavio Dantone | D♭ Major | 1 | 3B | 139 BPM | ||
Mondonville : Dominus regnavit : I | Jean-Joseph Cassanéa De Mondonville, William Christie, Les Arts Florissants | C Minor | 2 | 5A | 126 BPM | ||
Deuxième Livre de pièces de clavecin, sixième Ordre: Les Barricades mystérieuses | François Couperin, Christophe Rousset | A♭ Major | 2 | 4B | 80 BPM | ||
Dido and Aeneas / Act 1: "Shake the cloud from off your brow" | Henry Purcell, Emma Kirkby, The Academy Of Ancient Music Chorus, Academy of Ancient Music, Christopher Hogwood | A Major | 1 | 11B | 129 BPM | ||
Requiem, Op. 48 (version pour grand orchestre): Agnus Dei | Gabriel Fauré, Collegium Vocale Gent, Philippe Herreweghe, La Chapelle Royale, Joseph Moor | D Minor | 0 | 7A | 143 BPM | ||
Dixit Dominus, HWV 232: Dixit Dominus | George Frideric Handel, Rory O'Connor, Angela Kazimierczuk, Charles Humphries, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | F♯ Minor | 2 | 11A | 93 BPM | ||
Rinaldo, HWV 7a / Act II: "Lascia ch'io pianga" | George Frideric Handel, Magdalena Kozená, Venice Baroque Orchestra, Andrea Marcon | E Major | 0 | 12B | 79 BPM | ||
In darkness let me dwell | John Dowland, Andreas Scholl, Edin Karamazov | E Major | 0 | 12B | 83 BPM | ||
L'incoronazione di Poppea, SV 308 / Act II: Adagiati, Poppea - Oblivion soave | Claudio Monteverdi, Bernarda Fink, English Baroque Soloists, John Eliot Gardiner | G Minor | 0 | 6A | 106 BPM |
Section: 0.6912941932678223
End: 0.6946313381195068