Arturo Buzzi-Peccia, Joseph Schmidt, Berliner Philharmoniker, Hans Schleger's 'Lolita, "Spanish Serenade"' came out on March 1, 2010. The duration of Lolita, "Spanish Serenade" is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Lolita, "Spanish Serenade"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Joseph Schmidt, Selmar Meyrowitz, Hans Schleger, Max Niederberger, Otto Dobrindt, Fritz Brunner, Emil Kaiser's "Joseph Schmidt, Vol. 2 (1930)" album is number 5 out of 18. On top of that, Germany appears to be the country where this track was created. Lolita, "Spanish Serenade" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lolita, "Spanish Serenade" by Arturo Buzzi-Peccia, Joseph Schmidt, Berliner Philharmoniker, Hans Schleger to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lolita | Arturo Buzzi-Peccia, Yuri Yakushev, Владимир Атлантов, Konstantin Krimets, Государственный Симфонический оркестр кинематографии | D Major | 5 | 10B | 140 BPM | ||
Così fan tutte, K.588 / Act 1: "Al fato dan legge" - "La commedia è graziosa" | Wolfgang Amadeus Mozart, Francisco Araiza, Thomas Allen, José van Dam, Karita Mattila, Anne Sofie von Otter, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 1 | 6B | 105 BPM | ||
Cantate con me | Cesare Andrea Bixio, Luciano Pavarotti, Andrea Griminelli, Orchestra del Teatro Comunale di Bologna, Henry Mancini | B♭ Major | 3 | 6B | 86 BPM | ||
Una voce poco fa from The Barber of Seville - Vocal | Gioachino Rossini, Ion Marin, Wiener Symphoniker | F Major | 0 | 7B | 65 BPM | ||
Norma / Act 1: Casta Diva | Vincenzo Bellini, Anna Netrebko, SWR Symphony Orchestra, Marco Armiliato | F Major | 1 | 7B | 85 BPM | ||
Lucia di Lammermoor / Act 3: "Spargi d'amore pianto" | Gaetano Donizetti, Dame Joan Sutherland, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | C Major | 1 | 8B | 126 BPM | ||
Carmen (1997 - Remaster), Act III: Entr'acte | Georges Bizet, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | D Minor | 2 | 7A | 132 BPM | ||
Los gavilanes, Acto II: Amigos, siempre amigos | Ataúlfo Argenta, Coros Cantores De Madrid, José Perera, Orquesta de Cámara de Madrid, Teresa Berganza, Toñy Rosado, Jacinto Guerrero | B♭ Major | 3 | 6B | 135 BPM | ||
Shest' romansov (Six Romances), Op.63 - Arr. Hazell: Serenada | Pyotr Ilyich Tchaikovsky, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | G Major | 2 | 9B | 65 BPM | ||
Linda di Chamounix, A. 62, Act I Scene 3: Qui sì, pria della partenza | Gaetano Donizetti, Jessica Pratt, Teresa Iervolino, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Michele Gamba | E Minor | 2 | 9A | 81 BPM |
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