- BPM
- 119
- Key
- D Major
- Camelot
- 10B
Prokofiev: Cinderella, Op. 87, Act 2: Midnight - Sergei Prokofiev, André Previn, London Symphony Orchestra Information
- Acousticness
- 78%
- Danceability
- 34%
- Energy
- 71%
- Instrumentalness
- 67%
- Liveness
- 32%
- Loudness
- 79%
- Speechiness
- 11%
- Valence
- 23%
- Popularity
- 10%
- Loudness
- -12.856 dB
Summary
Sergei Prokofiev, André Previn, London Symphony Orchestra's 'Prokofiev: Cinderella, Op. 87, Act 2: Midnight' came out on January 10, 1995. The duration of Prokofiev: Cinderella, Op. 87, Act 2: Midnight is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Prokofiev: Cinderella, Op. 87, Act 2: Midnight's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 54 in the song's album "Prokofiev: Cinderella - Ballet/Symphony No. 1". In this album, this song's track order is #8. In terms of popularity, Prokofiev: Cinderella, Op. 87, Act 2: Midnight is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Prokofiev: Cinderella, Op. 87, Act 2: Midnight BPM
With Prokofiev: Cinderella, Op. 87, Act 2: Midnight by Sergei Prokofiev, André Previn, London Symphony Orchestra having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
Prokofiev: Cinderella, Op. 87, Act 2: Midnight Key
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | U-Boats | Alexandre Desplat, London Symphony Orchestra | A Minor | 3 | 8A | 180 BPM | |
 | Giselle: No. 12 - Allegro mosso | Adolphe Adam, London Symphony Orchestra, Michael Tilson Thomas | E Minor | 3 | 9A | 77 BPM | |
 | La Revue de cuisine: 2. Tango | Bohuslav Martinů, Saint Paul Chamber Orchestra, Christopher Hogwood | F Major | 0 | 7B | 90 BPM | |
 | Falkirk | James Horner, London Symphony Orchestra | A Major | 0 | 11B | 99 BPM | |
 | Coppelia: Act I - Czardas-Danse hongroise | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | A Major | 1 | 11B | 139 BPM | |
 | Pictures at an Exhibition (Orch. Ravel): VII. The Market at Limoges | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E♭ Major | 3 | 5B | 123 BPM | |
 | Enigma Variations: Variation VIII. W.N - Allegretto | Edward Elgar, Sir Colin Davis, London Symphony Orchestra | G Major | 0 | 9B | 106 BPM | |
 | Prokofiev: Cinderella, Op. 87, Act 1: No. 18, Clock Scene (Allegro moderato) | Sergei Prokofiev, André Previn, London Symphony Orchestra | A♭ Minor | 2 | 1A | 111 BPM | |
 | Monn: Cello Concerto in G Minor: II. Adagio | Georg Matthias Monn, Sir John Barbirolli, Valda Aveling, London Symphony Orchestra | E♭ Major | 1 | 5B | 141 BPM | |
 | Tchaikovsky: The Sleeping Beauty, Op. 66, Prologue "The Christening": No. 3b, Pas de six. Grand adage | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | B♭ Major | 1 | 6B | 143 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7092723846435547
End: 0.7135453224182129