"レクイエム KV 626 III- セクエンツィア (続唱) 3. レクス・トレメンデ (みいつの大王)" by Wolfgang Amadeus Mozart, アンドルー・パロット, ボストン・アーリー・ミュージック・フェスティヴァル管弦楽団・合唱団 was released on May 24, 2006. With レクイエム KV 626 III- セクエンツィア (続唱) 3. レクス・トレメンデ (みいつの大王) being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in モーツァルト: レクイエム, so we believe that "レクイエム KV 626 III- セクエンツィア (続唱) 3. レクス・トレメンデ (みいつの大王)" is a single. レクイエム KV 626 III- セクエンツィア (続唱) 3. レクス・トレメンデ (みいつの大王) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of レクイエム KV 626 III- セクエンツィア (続唱) 3. レクス・トレメンデ (みいつの大王) by Wolfgang Amadeus Mozart, アンドルー・パロット, ボストン・アーリー・ミュージック・フェスティヴァル管弦楽団・合唱団 is Lento (slowly), since this song has a tempo of 57 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Missa in Angustiis "Lord Nelson Mass": Missa in Angustiis "Lord Nelson Mass": VI. Et incarnatus | Franz Joseph Haydn, Boston Baroque, Martin Pearlman, Mary Wilson, Abigail Fischer, Keith Jameson, Kevin Deas | G Major | 0 | 9B | 89 BPM | ||
La passione di Gesu Cristo: Part I: Recitative: Ingratissimo Pietro (Pietro) | Antonio Salieri, Melba Ramos, Franziska Gottwald, Florian Mock, Hanno Müller-Brachmann, Cologne Musicus Choir, Neue Orchester, Christoph Spering | C Major | 0 | 8B | 84 BPM | ||
Violin Sonata No. 24 in F Major, K. 376 (arr. P. Gallois for flute and piano): II. Andante | Patrick Gallois, Wolfgang Amadeus Mozart, Maria Prinz | B♭ Major | 0 | 6B | 112 BPM | ||
Missa in Angustiis "Lord Nelson Mass": VII. Et resurrexit | Franz Joseph Haydn, Boston Baroque, Martin Pearlman, Mary Wilson | F Major | 2 | 7B | 78 BPM | ||
Die Zauberflöte, K.620 / Act 1: "Bei Männern, welche Liebe fühlen" | Wolfgang Amadeus Mozart, Dorothea Röschmann, Hanno Müller-Brachmann, Mahler Chamber Orchestra, Claudio Abbado | E♭ Major | 0 | 5B | 95 BPM | ||
Te Deum: Per singulos dies | Johann Simon Mayr, Priska Eser-Streit, Merit Ostermann, Andreas Hirtreiter, Jorg Schneider, Robert Merwald, Simon Mayr Choir, Franz Hauk, Ingolstadt Georgian Chamber Orchestra | D Major | 2 | 10B | 99 BPM | ||
Missa pro defuncto Archiepiscopo Sigismundo, MH 154: Dies Irae | Michael Haydn, Christian Zacharias, Johanette Zomer, Helena Rasker, Markus Schäfer, Klaus Mertens, Schweizer Kammerchor, Orchestre de Chambre de Lausanne | B♭ Major | 3 | 6B | 111 BPM | ||
Missa Sanctae Ursulae, MH 546: Kyrie (Soprano, Contralto, Tenor, Bass, Chorus) | Michael Haydn, Juliane Banse, Mechthild Bach, Gabriele Binder, Karl-Heinz Lampe, Joachim Gebhard, Munich Motet Choir, Munich Residence Orchestra, Hans Rudolf Zöbeley | C Major | 1 | 8B | 100 BPM | ||
Requiem, Sanctus: I. Sanctus | Niccolò Jommelli, Coro e Orchestra Ghislieri, Giulio Prandi, Sandrine Piau, Carlo Vistoli, Raffaele Giordani | B♭ Major | 0 | 6B | 136 BPM | ||
Messiah, HWV 56: Part 2: Surely He hath borne our griefs (Chorus) | Nikolaus Harnoncourt | G Major | 3 | 9B | 159 BPM |
Section: 0.573976993560791
End: 0.5788741111755371