", said the shotgun to the head.: Have you ever been" by Thomas Kessler, Saul Williams, Basler Rap-Sängerinnen und Sänger, Sinfonieorchester Basel, Marko Letonja was released on January 1, 2014. With , said the shotgun to the head.: Have you ever been being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 17 in the song's album "Thomas Kessler: ", said the shotgun to the head.", Drum Control & Is It?". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. Based on our statistics, , said the shotgun to the head.: Have you ever been's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With , said the shotgun to the head.: Have you ever been by Thomas Kessler, Saul Williams, Basler Rap-Sängerinnen und Sänger, Sinfonieorchester Basel, Marko Letonja having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 1/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto No. 2, W516: III. Scherzo. Vivace - Cadenza | Heitor Villa-Lobos, Antonio Meneses, Isaac Karabtchevsky, Orquestra Sinfônica do Estado de São Paulo | E♭ Major | 1 | 5B | 133 BPM | ||
Affirmation 1 | Inspiration | D♭ Major | 0 | 3B | 82 BPM | ||
Un caballo en el castillo de cristal | Gabriel Andrés Gallegos | E Minor | 1 | 9A | 81 BPM | ||
Variations on a Theme by Haydn: Variation VIII: Andante cantabile | Hans Erich Apostel, The Orchestra Now, Leon Botstein | B♭ Minor | 1 | 3A | 80 BPM | ||
Coastal Command Suite: The Hebrides | RTE Concert Orchestra, Ralph Vaughan Williams | D Minor | 0 | 7A | 65 BPM | ||
Schwanengesang, D. 957: No. 13, Der Doppelgänger (Arr. for Cello & Piano by Timothy Jones) | Franz Schubert, Josephine Knight, Simon Crawford-Phillips | E Major | 0 | 12B | 115 BPM | ||
Eleven Partite diverse sopra "Sei gegrüßet, Jesu gütig": Variation I | Johann Sebastian Bach, Ralph Downes | F Major | 2 | 7B | 66 BPM | ||
Release the (Fruit) Bats | David Whatson | E Major | 1 | 12B | 103 BPM | ||
Cello Concerto: II. Gavotta | Kirmo Lintinen, Trey Lee, English Chamber Orchestra, Emilia Hoving | A Major | 2 | 11B | 105 BPM | ||
A Life Sentence | Federico Jusid | D Minor | 1 | 7A | 71 BPM |
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