Henry Purcell, Christina Pluhar, L'Arpeggiata, Vincenzo Capezzuto made "Purcell / Arr. Pluhar: The Fairy Queen, Z. 629, Act II. Song. "One Charming Night"" available on 1900. With this song being about 5 minutes long, at 4:40, "Purcell / Arr. Pluhar: The Fairy Queen, Z. 629, Act II. Song. "One Charming Night"" by Henry Purcell, Christina Pluhar, L'Arpeggiata, Vincenzo Capezzuto is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Henry Purcell, Christina Pluhar's "Music for a While - Improvisations on Purcell" album is number 13 out of 17. In terms of popularity, Purcell / Arr. Pluhar: The Fairy Queen, Z. 629, Act II. Song. "One Charming Night" is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Purcell / Arr. Pluhar: The Fairy Queen, Z. 629, Act II. Song. "One Charming Night" by Henry Purcell, Christina Pluhar, L'Arpeggiata, Vincenzo Capezzuto to be Moderato (at a moderate speed) because the track has a tempo of 119 BPM, a half-time of 60BPM, and a double-time of 238 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto a cinque No. 2, Op. 9: I. Allegro e no presto | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | D♭ Minor | 3 | 12A | 169 BPM | ||
Purcell / Arr. Pluhar: Timon of Athens, Z. 632: Curtain Tune on a Ground | Henry Purcell, Christina Pluhar, L'Arpeggiata | G Minor | 2 | 6A | 120 BPM | ||
Ziani / Arr. Pluhar: Dormite o pupille | Pietro Andrea Ziani, Christina Pluhar, Valer Sabadus | E Minor | 1 | 9A | 175 BPM | ||
A che più l'arco tendere | Stefano Landi, L'Arpeggiata, Christina Pluhar | F Major | 0 | 7B | 117 BPM | ||
Ô Solitude | Rosemary Standley, Dom La Nena, Birds on a Wire | F Minor | 1 | 4A | 62 BPM | ||
Handel / Arr Pluhar: Venti, turbini (Aria di Rinaldo, from Rinaldo HWV 7) | George Frideric Handel, Christina Pluhar, Valer Sabadus, L'Arpeggiata | G Major | 3 | 9B | 117 BPM | ||
Pluhar: Orfeo Chamán, Prologue: La selva (Butes) | Christina Pluhar, Vincenzo Capezzuto, L'Arpeggiata | D Minor | 2 | 7A | 132 BPM | ||
Ravel: Piano Concerto in G Major, M. 83: II. Adagio assai (Arr. for Trumpet and Orchestra) | Maurice Ravel, Alison Balsom, Timothy Redmond, Guy Barker Orchestra | E Major | 1 | 12B | 79 BPM | ||
Dido and Aeneas / Act 1: "Shake the cloud from off your brow" | Henry Purcell, Emma Kirkby, The Academy Of Ancient Music Chorus, Academy of Ancient Music, Christopher Hogwood | A Major | 1 | 11B | 129 BPM | ||
Dido and Aeneas, Z.626 / Act 3: "When I Am Laid In Earth" | Henry Purcell, Catherine Bott, The Academy Of Ancient Music Chorus, Academy of Ancient Music, Christopher Hogwood | E♭ Major | 6 | 5B | 131 BPM |
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