Jussi Björling, RCA Victor Orchestra's 'Salut! Demeure Chaste Et Pure (Faust)' came out on March 3, 1931. With this song being about 5 minutes long, at 4:57, "Salut! Demeure Chaste Et Pure (Faust)" by Jussi Björling, RCA Victor Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 114 in the song's album "Presenting Jussi Björling". In this album, this song's track order is #15. Furthermore, we believe that the track originated from Germany. Salut! Demeure Chaste Et Pure (Faust) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Salut! Demeure Chaste Et Pure (Faust) by Jussi Björling, RCA Victor Orchestra having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Au Fond Du Temple Saint (Les Pècheurs de Perles) | Jussi Björling, RCA Victor Orchestra, Robert Merrill | E♭ Major | 4 | 5B | 93 BPM | ||
Carmina Burana / III. Cour d'amours: "Tempus est iocundum" | Carl Orff, Gundula Janowitz, Dietrich Fischer-Dieskau, Schöneberger Sängerknaben, Orchester der Deutschen Oper Berlin, Eugen Jochum | F♯ Major | 7 | 2B | 138 BPM | ||
L'elisir d'Amor: Una furtiva lagrima | Carlo Bergonzi | F Minor | 3 | 4A | 63 BPM | ||
Don Giovanni, K. 527: Batti, batti, o bel Masetto | Wolfgang Amadeus Mozart, Teresa Berganza, Lorin Maazel | F Major | 1 | 7B | 97 BPM | ||
Catalani: La Wally, Act 1: "Ebben, ne andrò lontana" (Wally) | Alfredo Catalani, Cristina Gallardo-Domas, Maurizio Barbacini, Munich Radio Orchestra | E Major | 1 | 12B | 84 BPM | ||
Louise, Act III: Depuis le jour | Gustave Charpentier, Kathleen Battle, Orchestre de l’Opéra national de Paris, Myung-Whun Chung | G Major | 1 | 9B | 90 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act II: "A, vot oni!" | Pyotr Ilyich Tchaikovsky, Neil Shicoff, Thomas Allen, Gunter Emmerlich, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
The Snow Maiden / Prologue: "S podruzhami po yagoda khodit" (The Snow Maiden's Aria) | Nikolai Rimsky-Korsakov, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | E Major | 2 | 12B | 129 BPM | ||
Leoncavallo: Pagliacci, Act 1 Scene 1: "Son qua! Ritornano … Pagliaccio è là" (Chorus, Canio, Peppe, Contadini) | Ruggero Leoncavallo, Jussi Björling, George Cehanovsky, Paul Franke, RCA Victor Orchestra, Renato Cellini | E Minor | 3 | 9A | 108 BPM | ||
Norma (1997 Digital Remaster), ACT 1, Scene 1: Introduction (Orchestra) ... Ite sul colle (Oroveso/Coro) | Vincenzo Bellini, Nicola Zaccaria, Coro Del Teatro Alla Scala Di Milano, Noberto Mola, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | G Major | 1 | 9B | 95 BPM |
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