"Norma (1997 Digital Remaster), ACT 1, Scene 1: Introduction (Orchestra) ... Ite sul colle (Oroveso/Coro)" by Vincenzo Bellini, Nicola Zaccaria, Coro Del Teatro Alla Scala Di Milano, Noberto Mola, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan was released on 1961. Since Norma (1997 Digital Remaster), ACT 1, Scene 1: Introduction (Orchestra) ... Ite sul colle (Oroveso/Coro) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 44 in Bellini: Norma by Vincenzo Bellini, Maria Callas, Franco Corelli, Christa Ludwig, Nicola Zaccaria, Coro e Orchestra del Teatro alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano. In terms of popularity, Norma (1997 Digital Remaster), ACT 1, Scene 1: Introduction (Orchestra) ... Ite sul colle (Oroveso/Coro) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Norma (1997 Digital Remaster), ACT 1, Scene 1: Introduction (Orchestra) ... Ite sul colle (Oroveso/Coro) by Vincenzo Bellini, Nicola Zaccaria, Coro Del Teatro Alla Scala Di Milano, Noberto Mola, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I Puritani (1997 - Remaster), Act II: Ah! dolor! ah terror ... (Coro) | Vincenzo Bellini, Coro Del Teatro Alla Scala Di Milano, Vittore Veneziani, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | G Minor | 1 | 6A | 62 BPM | ||
Tosca | Renata Tebaldi | E♭ Major | 2 | 5B | 84 BPM | ||
Madama Butterfly (1986 - Remaster), Act II: Addio, fiorito asil (Pinkerton/Sharpless) | Giacomo Puccini, Carlo Bergonzi, Rolando Panerai, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma | G Minor | 2 | 6A | 132 BPM | ||
La Gioconda (1997 - Remaster), Act I: Suo covo è un tugurio | Amilcare Ponchielli, Maria Callas, Fiorenza Cossotto, Irene Companeez, Pier Miranda Ferraro, Piero Cappuccilli, Leonardo Monreale, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan, Orchestra Del Teatro Alla Scala, Milano | G Major | 3 | 9B | 66 BPM | ||
Puccini: Madama Butterfly, Act 2: "Con onor muore" (Madama Butterfly) | Giacomo Puccini, Maria Callas, Philharmonia Orchestra, Tullio Serafin | B Minor | 2 | 10A | 91 BPM | ||
Gounod : Faust : Act 1 "Ne permettrez-vous pas" [Faust, Méphistophélès, Marguerite, Siébel, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | D Major | 1 | 10B | 117 BPM | ||
Andrea Chenier, Act III: La mamma morta | Umberto Giordano, Maria Callas, RAI Symphony Orchestra, Rome, Tullio Serafin | E Minor | 1 | 9A | 91 BPM | ||
L'elisir d'amore / Act 1: "Benedette queste carte!" - "Della crudele Isotta" | Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | E Major | 1 | 12B | 75 BPM | ||
In questa tomba oscura, WoO.133 | Ludwig van Beethoven, Luciano Pavarotti, Philharmonia Orchestra, Piero Gamba | D♭ Major | 1 | 3B | 88 BPM | ||
Werther / Act III: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, José Carreras, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | G Minor | 1 | 6A | 79 BPM |
Section: 0.5816688537597656
End: 0.5857231616973877