"Porgy & Bess Selections for Clarinet and Strings : Bess, You Is My Woman Now" by George Gershwin, Alexander String Quartet, Joan Enric Lluna was released on August 14, 2012. Porgy & Bess Selections for Clarinet and Strings : Bess, You Is My Woman Now is about six minutes long, preciously at 5:35, making this song fairly long compared to other songs. The track order of this song in Alexander String Quartet, Joan Enric Lluna's "Gershwin & Kern" album is number 3 out of 11. Porgy & Bess Selections for Clarinet and Strings : Bess, You Is My Woman Now is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Porgy & Bess Selections for Clarinet and Strings : Bess, You Is My Woman Now by George Gershwin, Alexander String Quartet, Joan Enric Lluna to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Henry V - Suite (arr. Mathieson): IV. Touch her soft lips and part | William Walton, Philharmonia Orchestra | C Major | 0 | 8B | 71 BPM | ||
Czardas (arr. for saxophone and piano) | Anonymous, Vittorio Monti, Joël Versavaud, Laura Caravello | D Major | 1 | 10B | 144 BPM | ||
Petite suite, L. 65: I. En bateau (Orch. by Henri Busser) | Claude Debussy, Yoav Talmi, Orchestre Symphonique De Québec | B Minor | 0 | 10A | 75 BPM | ||
Song Book: Oh, Lady Be Good. Rather slow (with humour) | George Gershwin, Frank Braley | G Major | 0 | 9B | 68 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM | ||
Kleine Dreigroschenmusik: VI. Tango-Ballade | Kurt Weill, Munich Radio Orchestra, Gerd Müller-Lorenz | D♭ Minor | 6 | 12A | 122 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | A Major | 0 | 11B | 68 BPM | ||
Prélude to the Afternoon of a Faun | Claude Debussy, Hanspeter Gmür, Nurnberger Symphoniker | C Major | 9 | 8B | 85 BPM | ||
Habanera | Emmanuel Chabrier, Janina Fialkowska | A Major | 5 | 11B | 100 BPM |
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