Eric Coates, The Philip Jones Brass Ensemble, Elgar Howarth's 'The Dam Busters (Arr. Duthoit)' came out on January 6, 2001. With this song being around four minutes long, at 3:55, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 17 in the song's album "The World of the Philip Jones Brass Ensemble". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, The Dam Busters (Arr. Duthoit)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Dam Busters (Arr. Duthoit) by Eric Coates, The Philip Jones Brass Ensemble, Elgar Howarth having a BPM of 142 with a half-time of 71 BPM and a double-time of 284 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cinderella: 2. Her Fairy Godmother calls her softly and she gradually wakes | Eric Coates, BBC Philharmonic Orchestra, John Wilson | D Major | 3 | 10B | 118 BPM | ||
The Gadfly Suite, Op. 97: VIII. Romance | Dmitri Shostakovich, Vassily Sinaisky, BBC Philharmonic | D♭ Major | 0 | 3B | 76 BPM | ||
Brook Green Suite, H. 190: I. Prelude. Allegretto | Gustav Holst, Richard Hickox, City of London Sinfonia | C Major | 1 | 8B | 67 BPM | ||
Jumping Bean | Robert Farnon, Vernon Handley, BBC Concert Orchestra, Martin Loveday | E♭ Major | 2 | 5B | 133 BPM | ||
Songs of the Auvergne, Book I: 2. Baïlèro | Joseph Canteloube, Sara Macliver, Brett Kelly, Queensland Symphony Orchestra | B♭ Major | 1 | 6B | 92 BPM | ||
Tristan und Isolde - Concert Version: Liebestod | Richard Wagner, Berliner Philharmoniker, Herbert von Karajan | B Major | 2 | 1B | 94 BPM | ||
In A Persian Market | Albert Ketèlbey, Royal Philharmonic Orchestra, Royal Philharmonic Chorus, Eric Rogers | F Major | 2 | 7B | 69 BPM | ||
In a Monastery Garden | Albert Ketèlbey, Ambrosian Opera Chorus, London Promenade Orchestra, Alexander Faris | F Major | 1 | 7B | 102 BPM | ||
Carmen, Opera Suite No. 1: III. Intermezzo, Act 3 | London Festival Orchestra Alfred Scholz | E♭ Major | 0 | 5B | 134 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM |
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