"Music from The Threepenny Opera: III. Polly's Song - Live" by Kurt Weill, John Harle, Simon Haram, Christian Forshaw, Andrew Findon was released on October 30, 2020. The duration of Music from The Threepenny Opera: III. Polly's Song - Live is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Music from The Threepenny Opera: III. Polly's Song - Live's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "The John Harle Collection Vol. 5: The Tale of the Broken-Hearted Accordion (The John Harle Saxophone Quartet 2003) [Live]". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. Music from The Threepenny Opera: III. Polly's Song - Live is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Music from The Threepenny Opera: III. Polly's Song - Live by Kurt Weill, John Harle, Simon Haram, Christian Forshaw, Andrew Findon having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Als die alte Mutter | Victoria de los Ángeles | D Major | 2 | 10B | 81 BPM | ||
Son tutta duolo | Alessandro Scarlatti, Cecilia Bartoli, György Fischer | G Minor | 0 | 6A | 92 BPM | ||
Poème de Théophile de Viau: À Chloris | Reynaldo Hahn, Marie-Nicole Lemieux | E♭ Major | 1 | 5B | 59 BPM | ||
Badinerie [Orchestral Suite No.2 BWV 1067] | The Swingle Singers | E Minor | 6 | 9A | 128 BPM | ||
Mozart: Così fan tutte, K. 588, Act 1: Terzettino. "Soave sia il vento" (Fiordiligi, Dorabella, Don Alfonso) | Wolfgang Amadeus Mozart, Karl Böhm, Christa Ludwig, Elisabeth Schwarzkopf, Heinrich Schmidt, Walter Berry, Philharmonia Orchestra | E Major | 1 | 12B | 124 BPM | ||
Peer Gynt Suite No.2, Op.55: 4. Solveig's Song | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | A Minor | 0 | 8A | 80 BPM | ||
Sea Fever | John Ireland, Roderick Williams, Iain Burnside | E Minor | 1 | 9A | 112 BPM | ||
So You Want to Write a Fugue? - For 4 Voices and String Quaret - Remastered | Glenn Gould, Juilliard String Quartet, Vladimir Golschmann | C Minor | 2 | 5A | 167 BPM | ||
Nacht und Träume, D. 827 | Franz Schubert, Renée Fleming, Christoph Eschenbach | F♯ Major | 0 | 2B | 59 BPM | ||
Petite messe solennelle (1863 chamber version): Kyrie: Kyrie eleison | Gioachino Rossini, Mireille Capelle, Catherine Patriasz, Joseph Cornwell, Jelle Draijer, Leo Van Doeselaar, Jos Van Immerseel, Wyneke Jordans, Netherlands Chamber Choir | C Major | 2 | 8B | 112 BPM |
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