José van Dam's 'Von Der Jugend (le chant de la terre)' came out on 1993. The duration of Von Der Jugend (le chant de la terre) is about 3 minutes long, at 3:23. Based on our data, "Von Der Jugend (le chant de la terre)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in José van Dam's "Le Maître De Musique" album is number 4 out of 14. On top of that, United States appears to be the country where this track was created. The popularity of Von Der Jugend (le chant de la terre) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Von Der Jugend (le chant de la terre) by José van Dam to be Vivace (lively and fast) because the track has a tempo of 169 BPM, a half-time of 84BPM, and a double-time of 338 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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La Damnation de Faust, Op. 24, H 111 / Pt. 2: Choeurs de Soldats et Chanson d'Etudiants. "Villes entourées...Jam nox stellata velamina pandit" | Hector Berlioz, Kenneth Riegel, José van Dam, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | B♭ Major | 4 | 6B | 102 BPM | ||
Les Contes d'Hoffmann / Act 1: Entr'acte | Jacques Offenbach, Orchestre de la Suisse Romande, Richard Bonynge | E Major | 2 | 12B | 100 BPM | ||
Vier letzte Lieder, TrV 296: 3. Beim Schlafengehen | Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann | D♭ Major | 1 | 3B | 66 BPM | ||
Il barbiere di Siviglia: Overture (Sinfonia) | Gioachino Rossini, Bavarian Radio Symphony Orchestra, Bruno Bartoletti | E Major | 3 | 12B | 98 BPM | ||
Poulenc: Dialogues des Carmélites, FP 159, Act 1 Tableau 2: "Ma fille, les bonnes gens se demandent" (La Prieure, Blanche) | Francis Poulenc, José van Dam, Kent Nagano, Orchestre De L'Opéra National De Lyon | G Major | 1 | 9B | 80 BPM | ||
Concerto for Clarinet and Orchestra No. 1 in F minor J114 (Op. 73): Allegro | Carl Maria von Weber, Sabine Meyer, Herbert Blomstedt, Staatskapelle Dresden | F Minor | 1 | 4A | 128 BPM | ||
German Requiem, Op. 45: Denn wir haben hie keine bleibende Statt | Johannes Brahms, London Symphony Orchestra, Valery Gergiev, Christopher Maltman, London Symphony Chorus | E♭ Major | 0 | 5B | 98 BPM | ||
Symphony No. 6 in B Minor, Op. 74, TH 30 "Pathétique": III. Allegro molto vivace | Pyotr Ilyich Tchaikovsky, Leningrad Philharmonic Orchestra, Evgeny Mravinsky | D Major | 3 | 10B | 156 BPM | ||
The Liturgy of Orpheus: XV. In the Manner of Love | Yannis Markopoulos, José van Dam, Elena Kelessidi, Philip Sheffield, Flanders Opera Chorus, Arielle Valibouse, Marc Grauwels, Flanders Opera Symphony Orchestra, Edwig Abrath | E Minor | 0 | 9A | 91 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | G Major | 3 | 9B | 97 BPM |
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