"Poulenc: Dialogues des Carmélites, FP 159, Act 1 Tableau 2: "Ma fille, les bonnes gens se demandent" (La Prieure, Blanche)" by Francis Poulenc, José van Dam, Kent Nagano, Orchestre De L'Opéra National De Lyon was released on 1992. The duration of Poulenc: Dialogues des Carmélites, FP 159, Act 1 Tableau 2: "Ma fille, les bonnes gens se demandent" (La Prieure, Blanche) is about 3 minutes long, at 3:11. Based on our data, "Poulenc: Dialogues des Carmélites, FP 159, Act 1 Tableau 2: "Ma fille, les bonnes gens se demandent" (La Prieure, Blanche)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 56 in the song's album "Poulenc: Dialogues des Carmelites". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United Kingdom. Poulenc: Dialogues des Carmélites, FP 159, Act 1 Tableau 2: "Ma fille, les bonnes gens se demandent" (La Prieure, Blanche) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Poulenc: Dialogues des Carmélites, FP 159, Act 1 Tableau 2: "Ma fille, les bonnes gens se demandent" (La Prieure, Blanche) by Francis Poulenc, José van Dam, Kent Nagano, Orchestre De L'Opéra National De Lyon having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations on a Polish Theme, Op. 10: No. 5 Andantino | Karol Szymanowski, Martin Roscoe | B Minor | 0 | 10A | 70 BPM | ||
44 Duos for 2 Violins, BB 104, Vol. 1: Parosito (Teasing Song) | Béla Bartók, György Pauk, Kazuki Sawa | B Minor | 0 | 10A | 112 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
Tailleferre: Valse lente | Germaine Tailleferre, Alexandre Tharaud | D Major | 0 | 10B | 60 BPM | ||
Cello Concerto No.1, Op.107: 1. Allegretto | Dmitri Shostakovich, Heinrich Schiff, Bavarian Radio Symphony Orchestra, Maxim Shostakovich | G Minor | 2 | 6A | 126 BPM | ||
Symphony No. 3 in F Major, Op. 90 (version for piano 4 hands): III. Un poco allegretto | Johannes Brahms, Christian Kohn, Silke-Thora Matthies | D Major | 0 | 10B | 115 BPM | ||
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: IV. Italiana | Ottorino Respighi, Konstantin Scherbakov | B Minor | 0 | 10A | 197 BPM | ||
Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM | ||
Sonata in G Major, KK. 455 | Domenico Scarlatti, Yuja Wang | G Major | 1 | 9B | 139 BPM |
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