"Manon Lescaut / Act 2: Minuetto" by Giacomo Puccini, Anthony Laciura, Giuseppe Taddei, Mirella Freni, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine was released on January 1, 1993. Since Manon Lescaut / Act 2: Minuetto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 33 in the song's album "Puccini: Manon Lescaut". In this album, this song's track order is #18. Based on our statistics, Manon Lescaut / Act 2: Minuetto's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Manon Lescaut / Act 2: Minuetto by Giacomo Puccini, Anthony Laciura, Giuseppe Taddei, Mirella Freni, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine having a BPM of 146 with a half-time of 73 BPM and a double-time of 292 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Puccini: La rondine, Act 1: "Chi il bel sogno di Doretta" (Magda) | Giacomo Puccini, Kiri Te Kanawa, Kent Nagano, Orchestre de l'Opéra de Lyon | F Major | 2 | 7B | 168 BPM | ||
Tannhäuser, WWV 70 / Act 2: "Dich, teure Halle, grüß ich wieder" | Richard Wagner, Lise Davidsen, Philharmonia Orchestra, Esa-Pekka Salonen | E Minor | 2 | 9A | 169 BPM | ||
Carmina Burana: In trutina | Carl Orff, Lucia Popp, Kurt Eichhorn | E♭ Minor | 1 | 2A | 62 BPM | ||
Così fan tutte, K. 588 / Act I: "Soave sia il vento" | Wolfgang Amadeus Mozart, Miah Persson, Angela Brower, Alessandro Corbelli, Chamber Orchestra of Europe, Yannick Nézet-Séguin | G Minor | 1 | 6A | 88 BPM | ||
Rusalka, Op. 114, B. 203, Act I: Mesícku na nebi hlubokém ("Song to the Moon") | Antonín Dvořák, Frederica von Stade, Seiji Ozawa, Boston Symphony Orchestra | F♯ Major | 1 | 2B | 93 BPM | ||
Nabucco / Act III: Va, pensiero, sull'ali dorate | Giuseppe Verdi, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin | D♭ Major | 0 | 3B | 73 BPM | ||
Roméo et Juliette, Acte II: "L'amour... Ah! Lève-toi, soleil!" | Charles Gounod, Jonas Kaufmann, Bertrand de Billy | F Major | 1 | 7B | 80 BPM | ||
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
Music for the Royal Fireworks: Suite HWV 351: 4. La réjouissance | George Frideric Handel, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 4 | 3B | 102 BPM | ||
Vesperae solennes de confessore in C Major, K. 339, "Solemn Vespers": IV. Laudate Dominum | Wolfgang Amadeus Mozart, Priti Coles, Kosice Teachers' Choir, Camerata Cassovia, Johannes Wildner | F Major | 1 | 7B | 112 BPM |
Section: 0.6800544261932373
End: 0.6848514080047607