Douze Notations Pour Piano (1945): Mécanique et très sec - Pierre Boulez, Pi-hsien Chen Information

Acousticness: 98%
Danceability: 53%
Energy: 41%
Instrumentalness: 95%
Liveness: 17%
Loudness: 71%
Speechiness: 5%
Valence: 95%
Popularity: 0%
Loudness: -17.539 dB

Summary

On 2005, the song "Douze Notations Pour Piano (1945): Mécanique et très sec" was released by Pierre Boulez, Pi-hsien Chen. With Douze Notations Pour Piano (1945): Mécanique et très sec being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 23 in the song's album "Notations & Piano Sonatas". In this album, this song's track order is #10. Douze Notations Pour Piano (1945): Mécanique et très sec is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.

Douze Notations Pour Piano (1945): Mécanique et très sec BPM

With Douze Notations Pour Piano (1945): Mécanique et très sec by Pierre Boulez, Pi-hsien Chen having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Douze Notations Pour Piano (1945): Mécanique et très sec Key

This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Eine Alpensinfonie: X. Nacht	Richard Strauss, Bernard Haitink, London Symphony Orchestra	B♭ Minor	0	3A	86 BPM
Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio	Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston	D Major	1	10B	82 BPM
La pentola magica, P. 129: Preludio	Ottorino Respighi, Jakub Francisci, Slovak Radio Symphony Orchestra, Adriano	D Minor	0	7A	91 BPM
Holberg Suite, Op. 40: V. Rigaudon (Allegro con brio)	Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi	G Major	0	9B	85 BPM
Parsifal, WWV 111 / Act III: Prelude	Richard Wagner, Bayreuth Festival Orchestra, Pierre Boulez	D♭ Major	1	3B	81 BPM
Répons: Section 6	Pierre Boulez, Ensemble Intercontemporain, Andrew Gerzso	F Minor	6	4A	131 BPM
Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro moderato	Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra	A♭ Major	1	4B	109 BPM
Symphony No. 3 in C Minor, Op. 78 "Organ": I. Adagio	Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra	F Minor	0	4A	84 BPM
Symphony No. 8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust": "Er überwächst uns schon" - "Vom edlen Geisterchor umgeben"	Gustav Mahler, Erin Wall, Staatskapelle Berlin, Pierre Boulez, Aurelius Sangerknaben Calw, Rundfunkchor Berlin	F♯ Major	1	2B	164 BPM
Symphony No. 6 in B Minor, Op. 74, TH 30 "Pathétique": III. Allegro molto vivace	Pyotr Ilyich Tchaikovsky, Leningrad Philharmonic Orchestra, Evgeny Mravinsky	D Major	3	10B	156 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.8100852966308594

End: 0.8149981498718262