Felix Mendelssohn, Edinburgh Festival Chorus, Renée Fleming, Patricia Bardon, Libby Crabtree, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel's 'Elijah, Op. 70, MWV A25 / Part 2: "Lift thine eyes to the mountains"' came out on January 1, 1997. With Elijah, Op. 70, MWV A25 / Part 2: "Lift thine eyes to the mountains" being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Felix Mendelssohn, Bryn Terfel, Renée Fleming, Edinburgh Festival Chorus, Orchestra of the Age of Enlightenment, Paul Daniel's "Mendelssohn: Elijah" album is number 8 out of 44. On top of that, United Kingdom appears to be the country where this track was created. Elijah, Op. 70, MWV A25 / Part 2: "Lift thine eyes to the mountains" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Elijah, Op. 70, MWV A25 / Part 2: "Lift thine eyes to the mountains" by Felix Mendelssohn, Edinburgh Festival Chorus, Renée Fleming, Patricia Bardon, Libby Crabtree, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chichester Psalms: III. Psalm 131, Psalm 133 vs. 1 | Leonard Bernstein, Jeremy Budd, Paul Charrier, Elizabeth Franklin-Kitchen, Thomas Kelly, Victoria Nayler, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Marin Alsop | G Major | 0 | 9B | 175 BPM | ||
Auch kleine Dinge können uns entzücken | Hugo Wolf, Mojca Erdmann | A Major | 0 | 11B | 68 BPM | ||
Requiem in D Minor, WAB 39: I. Introitus. Requiem | Anton Bruckner, RIAS Kammerchor, Akademie für Alte Musik Berlin, Łukasz Borowicz | B Minor | 1 | 10A | 166 BPM | ||
Strauss, R: 3 Gesänge älterer deutscher Dichter, Op. 43: II. Muttertändelei | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Radio-Sinfonie-Orchester Berlin | F Major | 1 | 7B | 78 BPM | ||
Magnificat & Nunc dimittis in G Major, Op. 81: I. Magnificat | Sir Charles Villiers Stanford, Choir of New College, Oxford, Christopher Glynn, Edward Higginbottom | G Major | 1 | 9B | 78 BPM | ||
The Creation, Hob.XXI,2: Pt. 1, And God Made the Firmament | Joseph Haydn, Handel & Haydn Society, Matthew Brook, Harry Christophers | A Minor | 1 | 8A | 140 BPM | ||
Missa In Angustiis "Nelson Mass", Hob. XXII:11 In D Minor: Gloria: Quoniam | Franz Joseph Haydn, Felicity Lott, Carolyn Watkinson, Maldwyn Davies, David Wilson-Johnson, Nicholas Parle, The English Concert, Trevor Pinnock, The English Concert Choir | D Major | 3 | 10B | 86 BPM | ||
Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre" | Charles Gounod, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | C Major | 2 | 8B | 77 BPM | ||
Grande Messe des Morts: X. Sequentia: Quid sum miser - Lento | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | F Major | 0 | 7B | 75 BPM | ||
The Creation, Hob.XXI,2: Pt. 1, With Verdure Clad the Fields Appear Delightful | Joseph Haydn, Handel & Haydn Society, Sarah Tynan, Harry Christophers | B♭ Major | 1 | 6B | 120 BPM |
Section: 0.6507859230041504
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