"Magnificat & Nunc dimittis in G Major, Op. 81: I. Magnificat" by Sir Charles Villiers Stanford, Choir of New College, Oxford, Christopher Glynn, Edward Higginbottom was released on January 6, 1997. With this song being around four minutes long, at 4:13, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Choir of New College, Oxford, Edward Higginbottom, Christopher Glynn's "Magnificat & Nunc dimittis, Vol. 15" album is number 3 out of 13. On top of that, United Kingdom appears to be the country where this track was created. Magnificat & Nunc dimittis in G Major, Op. 81: I. Magnificat is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Magnificat & Nunc dimittis in G Major, Op. 81: I. Magnificat by Sir Charles Villiers Stanford, Choir of New College, Oxford, Christopher Glynn, Edward Higginbottom to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nunc Dimittis: Nunc dimittis | Arvo Pärt, South Dakota Chorale, Brian A. Schmidt | A Major | 0 | 11B | 77 BPM | ||
2 Kings_21 | Christopher Glynn | D♭ Major | 2 | 3B | 64 BPM | ||
For All Thy Saints, O Lord | Charles Lockhart, Durham Cathedral Choir, Ian Shaw, James Lancelot | E♭ Major | 0 | 5B | 75 BPM | ||
Mass No.2 in G Major, D.167: I. Kyrie | Franz Schubert, Linda Kitchen, Ian Hare, Denis McCaldin, Haydn Society Orchestra | F Major | 0 | 7B | 159 BPM | ||
Byrd : Ave verum corpus | William Byrd, Edward Higginbottom | G Minor | 1 | 6A | 127 BPM | ||
Deutsche Messe, D. 872: I. Zum Eingang. Mässig | Franz Schubert, Erhard Nowak, Vienna Chamber Choir, Orpheus Orchester Wien, Johannes Prinz | G Major | 1 | 9B | 131 BPM | ||
Ein feste Burg ist unser Gott in F Major | Melchior Franck, Vox Luminis, Lionel Meunier, Bart Jacobs | C Major | 2 | 8B | 66 BPM | ||
Vidi Aquam | The Concordia Choir | A♭ Minor | 0 | 1A | 81 BPM | ||
Albinoni / Giazotto : The Beatitudes (Adagio) | Tomaso Albinoni, Edward Higginbottom, Capricorn, Choir of New College, Oxford | C Minor | 2 | 5A | 95 BPM | ||
I was glad when they said unto me | Hubert Parry, Christopher Dearnley, Barry Rose | B♭ Major | 3 | 6B | 84 BPM |
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