"Deutsche Messe, D. 872: I. Zum Eingang. Mässig" by Franz Schubert, Erhard Nowak, Vienna Chamber Choir, Orpheus Orchester Wien, Johannes Prinz was released on December 1, 1996. With this song being about 5 minutes long, at 4:34, "Deutsche Messe, D. 872: I. Zum Eingang. Mässig" by Franz Schubert, Erhard Nowak, Vienna Chamber Choir, Orpheus Orchester Wien, Johannes Prinz is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 20 in Franz Schubert: Messe in G. Musica sacra by Franz Schubert, Orpheus Orchester Wien, Vienna Chamber Choir, Johannes Prinz. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Deutsche Messe, D. 872: I. Zum Eingang. Mässig's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Deutsche Messe, D. 872: I. Zum Eingang. Mässig by Franz Schubert, Erhard Nowak, Vienna Chamber Choir, Orpheus Orchester Wien, Johannes Prinz is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Psalm 23, Op. 132, D. 706: Der 23. Psalm, Op. 132, D. 706 | Franz Schubert, Orphei Drängar, Folke Alin, Robert Sund | F Major | 0 | 7B | 76 BPM | ||
Laudate Nomen | Christopher Tye, Voices of Ascension Chorus, Dennis Keene | G Major | 1 | 9B | 64 BPM | ||
All meine Herzgedanken, Op. 62/5 | Johannes Brahms, Thomas Hengelbrock | F Major | 1 | 7B | 106 BPM | ||
6 Songs, Op. 48: No. 4. Die Ehre Gottes aus der Natur, "Die Himmel ruhmen des Ewigen Ehre" (arr. C. Reinecke) | Carl Reinecke, Ludwig van Beethoven, Carl Maria von Weber Men's Choir, Berlin, Andreas Wiedermann | D Major | 1 | 10B | 77 BPM | ||
Messe G-Dur D 167 - Ferdinand Schubert Fassung: Kyrie | Franz Schubert, Chor und Orchester von St. Augustin | A♭ Major | 3 | 4B | 124 BPM | ||
O vos omnes | Carlo Gesualdo, Daarler Vocal Consort | D♭ Major | 2 | 3B | 120 BPM | ||
Te Deum, Hob. XXIIIc:2 | Joseph Haydn, Richard Hickox, Collegium Musicum 90, Collegium Musicum 90 Choir | E Major | 1 | 12B | 71 BPM | ||
Vespers, Op. 37: O Serene Light | Sergei Rachmaninoff, Mykhaylo Tyshchenko, Yuri Korinnyk, National Choir Of The Ukraine "Dumka", Yevhen Savchuk, Olga Borusene | D Major | 0 | 10B | 104 BPM | ||
Gloria in D, R.589: Allegro: Gloria in excelsis | Antonio Vivaldi, John Alldis Choir, Olga Hegedus, Rodney Slatford, John Constable, English Chamber Orchestra, Vittorio Negri | D♭ Major | 1 | 3B | 86 BPM | ||
Mass No. 1 in F Major, D. 105: Benedictus | Franz Schubert, Trine Wilsberg Lund, Dorothea Craxton, Bettina Ranch, Min Woo Lim, Andreas Karasiak, Assaf Levitin, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | B♭ Major | 1 | 6B | 69 BPM |
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