Joseph Haydn, Handel & Haydn Society, Matthew Brook, Harry Christophers's 'The Creation, Hob.XXI,2: Pt. 1, And God Made the Firmament' came out on 2015. The duration of The Creation, Hob.XXI,2: Pt. 1, And God Made the Firmament is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. The Creation, Hob.XXI,2: Pt. 1, And God Made the Firmament's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Joseph Haydn, Handel & Haydn Society, Harry Christophers's "Haydn: The Creation & The Paris Symphonies" album is number 4 out of 56. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, The Creation, Hob.XXI,2: Pt. 1, And God Made the Firmament's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of The Creation, Hob.XXI,2: Pt. 1, And God Made the Firmament by Joseph Haydn, Handel & Haydn Society, Matthew Brook, Harry Christophers to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Dido and Aeneas / Act 3: The sailor's Dance..."See the flags...Destruction'sour delight" - The Witches' Dance | Henry Purcell, Patricia Kern, Helen Walker, Della Jones, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard | B♭ Major | 1 | 6B | 101 BPM | ||
Mass No. 2 in G Major, D. 167: V. Benedictus | Franz Schubert, Barbara Bonney, Jorge Pita, Andreas Schmidt, Katrine Bryndorf, Chamber Orchestra of Europe, Claudio Abbado, Chor der Wiener Staatsoper | F Major | 2 | 7B | 125 BPM | ||
Der Freischütz, J. 277 / Act 2: "Schelm! Halt fest!" | Carl Maria von Weber, Edith Mathis, Gundula Janowitz, Staatskapelle Dresden, Carlos Kleiber | E Major | 2 | 12B | 96 BPM | ||
Requiem pour soli, choeur et orchestre en ré mineur K.626, Introitus: Kyrie eleison | Wolfgang Amadeus Mozart, Efrat Ben Nun, Elisabeth Graf, Ensemble Vocal de Lausanne, Jeffrey Francis, Marcus Fink, Michel Corboz, Orchestre de Chambre de Genève | D Minor | 2 | 7A | 100 BPM | ||
Concerto No. 1 in C Major, Hob. VIIh:1 "Lyra organizzata" (Versions for Flute, Oboe & Orchestra): I. Allegro con spirito | Joseph Haydn, Ana de la Vega, Ramon Ortega Quero, TrondheimSolistene, Geir Inge Lotsberg | C Major | 1 | 8B | 75 BPM | ||
Missa Solemnis in D Major, Op. 123: II. Gloria: Gloria | Ludwig van Beethoven, Nikolaus Harnoncourt, Concentus Musicus Wien | D Minor | 2 | 7A | 136 BPM | ||
Elijah, Op. 70, MWV A25 / Part 2: "Go return upon thy way" | Felix Mendelssohn, Edinburgh Festival Chorus, Bryn Terfel, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel | B♭ Minor | 2 | 3A | 82 BPM | ||
Orfeo ed Euridice: Act II, Scene 1, Ballo e Coro (Maestoso): Chi mai dell'Erebo | Christoph Willibald Gluck, René Jacobs, RIAS Kammerchor, Freiburger Barockorchester | G Minor | 0 | 6A | 134 BPM | ||
Orfeo ed Euridice: Act I, Scene 2, Orpheo: Che disse! Che ascoltai! | Christoph Willibald Gluck, René Jacobs, Bernarda Fink, Freiburger Barockorchester | A Major | 1 | 11B | 137 BPM | ||
Mass No. 2 in G Major, D. 167: II. Gloria | Franz Schubert, Barbara Bonney, Andreas Schmidt, Katrine Bryndorf, Chamber Orchestra of Europe, Claudio Abbado, Chor der Wiener Staatsoper | G Minor | 0 | 6A | 88 BPM |
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