"Orfeo ed Euridice: Act I, Scene 2, Orpheo: Che disse! Che ascoltai!" by Christoph Willibald Gluck, René Jacobs, Bernarda Fink, Freiburger Barockorchester was released on September 28, 2001. The duration of Orfeo ed Euridice: Act I, Scene 2, Orpheo: Che disse! Che ascoltai! is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Orfeo ed Euridice: Act I, Scene 2, Orpheo: Che disse! Che ascoltai!'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor's "Gluck: Orfeo ed Euridice" album is number 9 out of 33. Based on our statistics, Orfeo ed Euridice: Act I, Scene 2, Orpheo: Che disse! Che ascoltai!'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Orfeo ed Euridice: Act I, Scene 2, Orpheo: Che disse! Che ascoltai! by Christoph Willibald Gluck, René Jacobs, Bernarda Fink, Freiburger Barockorchester to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice (arr. G. Sgambati): Melodie | Giovanni Sgambati, Christoph Willibald Gluck, Anthony Goldstone | D Minor | 0 | 7A | 152 BPM | ||
Rinaldo / Act 1: Aria: Sibilar gli angui d'Aletto | George Frideric Handel, Gerald Finley, Academy of Ancient Music, Christopher Hogwood | E Major | 0 | 12B | 129 BPM | ||
6 Chants polonais, S. 480: No. 3, Das Ringlein (Pierscien, the Ring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | E♭ Major | 0 | 5B | 87 BPM | ||
Variations On A Theme By Chopin: Variation 11. Lento dolce e legato | Federico Mompou, Daniil Trifonov | F♯ Minor | 1 | 11A | 66 BPM | ||
St. John Passion, BWV 245: Part II: Aria: Eilt, ihr angefochtnen Seelen (Bass, Chorus) | Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B Minor | 1 | 10A | 136 BPM | ||
Ah, ritorna | Felix Mendelssohn, Cecilia Bartoli, Orchestra La Scintilla, Ádám Fischer | B♭ Major | 1 | 6B | 62 BPM | ||
Symphony in F Major, J-C 36: I. Presto | Giovanni Battista Sammartini, Milan Classical Chamber Orchestra, Roberto Gini | F Major | 1 | 7B | 75 BPM | ||
6 Nocturnes, Op. 186: Nocturne No. 2: Allegretto ma un poco vivo | Johann Wenzel Kalliwoda, Ashan Pillai, Michael Endres | C Major | 1 | 8B | 97 BPM | ||
Lucio Silla - Aria: II. Parto, M'affreto | Wolfgang Amadeus Mozart, Sandrine Piau, Freiburger Barockorchester | C Major | 1 | 8B | 79 BPM | ||
Symphony in D Major: III. Allegro | Giovanni Paisiello, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 131 BPM |
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