"Rinaldo / Act 1: Aria: Sibilar gli angui d'Aletto" by George Frideric Handel, Gerald Finley, Academy of Ancient Music, Christopher Hogwood was released on October 16, 2000. With this song being around four minutes long, at 4:26, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in George Frideric Handel, Cecilia Bartoli, David Daniels, Academy of Ancient Music, Christopher Hogwood's "Handel: Rinaldo (Original 1711 Version)" album is number 10 out of 82. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Rinaldo / Act 1: Aria: Sibilar gli angui d'Aletto's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Rinaldo / Act 1: Aria: Sibilar gli angui d'Aletto by George Frideric Handel, Gerald Finley, Academy of Ancient Music, Christopher Hogwood to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No.4 in F Major: 2. Vivace ma non troppo | William Boyce, Academy of Ancient Music, Christopher Hogwood | E Major | 0 | 12B | 94 BPM | ||
Le nozze di Figaro, K.492 / Act 1: "Non so più cosa son, cosa faccio" | Wolfgang Amadeus Mozart, Cecilia Bartoli, Wiener Philharmoniker, Claudio Abbado | G Major | 2 | 9B | 122 BPM | ||
Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 1 | 11A | 80 BPM | ||
Sedecia: Profezie, di me diceste | Antonio Caldara, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | F♯ Major | 1 | 2B | 124 BPM | ||
Stabat Mater: 6. Vidit suum | Giovanni Battista Pergolesi, Margaret Marshall, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | F Minor | 0 | 4A | 138 BPM | ||
Armide: Act II Scene 5: Enfin il est en ma puissance (Armide) | Jean-Baptiste Lully, Stephanie Houtzeel, Robert Getchell, François Loup, William Sharp, Ann Monoyios, Miriam Dubrow, Tony Boutté, Darren Perry, Adria McCulloch, Tara McCredie, Opera Lafayette Chorus, Opera Lafayette Orchestra, Ryan Brown | D Minor | 1 | 7A | 94 BPM | ||
Gideon, Pt. 3: Air. Let the Trumpet's Sound Inviting | George Frideric Handel, David Cordier, Barbara Hannigan, Stephan MacLeod, Linda Perillo, Knut Schoch, Nicola Wemyss, Junge Kantorei, Barockorchester Frankfurt, Joachim Carlos Martini | D Major | 1 | 10B | 77 BPM | ||
L'incoronazione di Poppea, SV 308 / Act I: Signor, deh, non partire! | Claudio Monteverdi, Sylvia McNair, Dana Hanchard, English Baroque Soloists, John Eliot Gardiner | F Major | 0 | 7B | 103 BPM | ||
Pergolesi: Stabat Mater: XI. Inflammatus et accensus | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | A Major | 3 | 11B | 119 BPM | ||
Sant'Agnese: Vaga rosa (Aria) | Bernardo Pasquini, Núria Rial | D♭ Minor | 0 | 12A | 77 BPM |
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