Nicola Porpora, Narea Son, Julia Lezhneva, George Petrou, Armonia Atenea's 'Polifemo: Scena IV Recitativo - Nerea, Galatea' came out on September 8, 2023. With Polifemo: Scena IV Recitativo - Nerea, Galatea being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 72 in the song's album "Porpora: Polifemo". In this album, this song's track order is #16. Furthermore, we believe that the track originated from Austria. In terms of popularity, Polifemo: Scena IV Recitativo - Nerea, Galatea is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Polifemo: Scena IV Recitativo - Nerea, Galatea by Nicola Porpora, Narea Son, Julia Lezhneva, George Petrou, Armonia Atenea having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater: Quis est homo qui non fleret…. Quis non posset | Agostino Steffani, Franco Fagioli, Daniel Behle, I Barocchisti, Diego Fasolis | G Minor | 1 | 6A | 77 BPM | ||
Sant'Agnese: Vaga rosa (Aria) | Bernardo Pasquini, Núria Rial | D♭ Minor | 0 | 12A | 77 BPM | ||
Dorilla in Tempe, RV 709 / Act I: Dell'aura al sussurrar | Antonio Vivaldi, Cecilia Bartoli, Arnold Schoenberg Chor, Il Giardino Armonico, Giovanni Antonini | C Major | 2 | 8B | 119 BPM | ||
Maddalena ai piedi di Cristo: No. 1 Sinfonia | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini | A♭ Major | 2 | 4B | 170 BPM | ||
Concerto in C major for violoncello piccolo, strings and b.c.: Allegro | Giovanni Battista Sammartini, Camerata Köln | F♯ Major | 2 | 2B | 133 BPM | ||
Zelenka: Barbara, dira effera, ZWV 164: I. Barbara, dira, effera | Jan Dismas Zelenka, Jakub Józef Orliński, Francesco Corti, Il Pomo D'oro | E Major | 5 | 12B | 121 BPM | ||
Balletto à 3 in G Major, Op. 3 No. 3: I. Preludio. Largo | Tomaso Albinoni, London Baroque | F♯ Major | 2 | 2B | 105 BPM | ||
Cleofide: Act II Scene 4: Aria: Generoso rifuegliati, o core (Poro) | Johann Adolf Hasse, Emma Kirkby, Agnes Mellon, Randalk K. Wong, Derek Lee Ragin, Dominique Visse, David Cordier, Rheinische Kantorei, Cappella Coloniensis, William Christie | A♭ Major | 2 | 4B | 143 BPM | ||
Dido and Aeneas, Z. 626, Act III: Thy hand, Belinda...When I am laid in earth - Bonus Track | Henry Purcell, Sonya Yoncheva, Alessandro De Marchi | F♯ Minor | 0 | 11A | 171 BPM | ||
Pergolesi: Stabat mater: VIII. Fac ut ardeat cor meum | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Minor | 3 | 11A | 71 BPM |
Section: 0.7695276737213135
End: 0.7745890617370605