Wolfgang Amadeus Mozart, Bernard Haitink, Edita Gruberova, Bavarian Radio Symphony Orchestra's 'Mozart: Die Zauberflöte, K. 620, Act 2: "Der Hölle Rache kocht in meinem Herzen" (Queen of Night)' came out on 1981. The duration of Mozart: Die Zauberflöte, K. 620, Act 2: "Der Hölle Rache kocht in meinem Herzen" (Queen of Night) is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Mozart: Die Zauberflöte, K. 620, Act 2: "Der Hölle Rache kocht in meinem Herzen" (Queen of Night)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Bernard Haitink, Bavarian Radio Symphony Orchestra's "Mozart - Die Zauberflöte" album is number 11 out of 59. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Mozart: Die Zauberflöte, K. 620, Act 2: "Der Hölle Rache kocht in meinem Herzen" (Queen of Night) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mozart: Die Zauberflöte, K. 620, Act 2: "Der Hölle Rache kocht in meinem Herzen" (Queen of Night) by Wolfgang Amadeus Mozart, Bernard Haitink, Edita Gruberova, Bavarian Radio Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Zauberflöte / Act 2: "Papagena! Papagena!" | Wolfgang Amadeus Mozart, Michael Kraus, Max Emanuel Cenčić, Michael Rausch, Markus Leitner, Wiener Philharmoniker, Sir Georg Solti | G Major | 2 | 9B | 76 BPM | ||
La Clemenza di Tito: Atto primo, scena XI. No.12 Quintetto con coro "Deh, conservate, oh Dei" - Scene XII-XIV [finale] | Wolfgang Amadeus Mozart, Alexandrina Pendatchanska, Freiburger Barockorchester, Sunhae Im, Bernarda Fink, René Jacobs, Marie-Claude Chappuis, Sergio Foresti, Mark Padmore | E♭ Major | 1 | 5B | 69 BPM | ||
La Cenerentola / Act 2: "Non più mesta" | Gioachino Rossini, William Matteuzzi, Cecilia Bartoli, Alessandro Corbelli, Enzo Dara, Michele Pertusi, Fernanda Costa, Gloria Banditelli, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | E Major | 3 | 12B | 137 BPM | ||
Die lustige Witwe (The Merry Widow) (2000 - Remaster): XIV. Lippen schweigen (Danilo/Hanna) | Franz Lehár, Eberhard Waechter/Elisabeth Schwarzkopf/Philharmonia Orchestra/Lovro von Matacic, Eberhard Waechter, Lovro Von Matacic, Philharmonia Orchestra | G Major | 1 | 9B | 85 BPM | ||
Die Forelle, D. 550 | Franz Schubert, Renée Fleming, Christoph Eschenbach | D♭ Major | 0 | 3B | 166 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act I Scene 3: Aria - La Vendetta | Donato Di Stefano, Hungarian State Opera Orchestra, Natale de Carolis, Ingrid Kertesi, Jozsef Mukk, Roberto Frontali, Patrizia Pace, Maria Pia Ionata, Wolfgang Amadeus Mozart, Lorenzo Da Ponte | D Major | 1 | 10B | 142 BPM | ||
Mozart: Così fan tutte, K. 588, Act I, Scene 5: "Muoio d'affano!" (Fiordiligi, Dorabella) - No. 9, Quintetto, "Di scrivermi ogni giorno" (Fiordiligi, Dorabella, Guglielmo, Ferrando, Don Alfonso) | Wolfgang Amadeus Mozart, Elisabeth Schwarzkopf, Alfredo Kraus, Christa Ludwig, Giuseppe Taddei, Heinrich Schmidt, Walter Berry, Karl Böhm, Philharmonia Orchestra | C Major | 2 | 8B | 123 BPM | ||
Te Deum, H. 146: I. Prélude | Marc-Antoine Charpentier, Les Arts Florissants, William Christie | D♭ Major | 3 | 3B | 141 BPM | ||
Lakmé / Act 1: Viens, Mallika, ... Dôme épais (Flower Duet) | Léo Delibes, Anna Netrebko, Elina Garanca, SWR Symphony Orchestra, Marco Armiliato | B Major | 1 | 1B | 80 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act II Scene 6: Terzetto - Susanna, Or Via Sortite? | Donato Di Stefano, Maria Pia Ionata, Roberto Frontali, Patrizia Pace, Jozsef Mukk, Natale de Carolis, Ingrid Kertesi, Hungarian State Opera Orchestra, Wolfgang Amadeus Mozart, Lorenzo Da Ponte | C Major | 2 | 8B | 73 BPM |
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