"Tota pulchra es anima mea" by Giovanni Pierluigi da Palestrina, The King's Singers was released on March 4, 2016. The duration of Tota pulchra es anima mea is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Tota pulchra es anima mea's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Giovanni Pierluigi da Palestrina, The King's Singers's "How Fair Thou Art: Biblical Passions by Giovanni Pierluigi da Palestrina" album is number 4 out of 16. In terms of popularity, Tota pulchra es anima mea is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Tota pulchra es anima mea by Giovanni Pierluigi da Palestrina, The King's Singers to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Intemerata Dei mater: II. Nec sine te manet | Johannes Ockeghem, Owain Park, The Gesualdo Six | D Minor | 1 | 7A | 124 BPM | ||
The Third Dirge Anthem: I Heard a Voice from Heaven | Thomas Morley, Vox Luminis, Lionel Meunier, Les Trompettes des Plaisirs, Jean-François Madeuf | A♭ Minor | 0 | 1A | 133 BPM | ||
Qual fora, donna, un dolce Ohime | Carlo Gesualdo, Delitiæ Musicæ, Marco Longhini | F Minor | 1 | 4A | 135 BPM | ||
The lily and the rose (version for mixed chorus and piano) | Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch | A Minor | 1 | 8A | 77 BPM | ||
All'imperio d'Amore: 5. Ineffabile ardore a 6 "Il rapimento di Cefalo" | Giulio Caccini, Ensemble Pygmalion, Raphael Pichon | B♭ Major | 2 | 6B | 113 BPM | ||
Hosanna to the Son of David | Thomas Weelkes, Andrew Fletcher, Ex Cathedra, Jeffrey Skidmore | B♭ Minor | 2 | 3A | 132 BPM | ||
Lux Aurumque | Eric Whitacre, The King's Singers | D Minor | 0 | 7A | 139 BPM | ||
Diptych: I. The Lord's Prayer | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | C Major | 0 | 8B | 68 BPM | ||
Missa O lumen ecclesie: Kyrie | Jacob Obrecht, Ars Nova Secunda, Janos Bali | F Major | 1 | 7B | 76 BPM | ||
The Waves are Sleepy | St. Petersburg Optina Pustyn Male Choir | A♭ Major | 1 | 4B | 138 BPM |
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