"Qual fora, donna, un dolce Ohime" by Carlo Gesualdo, Delitiæ Musicæ, Marco Longhini was released on May 7, 2013. The duration of Qual fora, donna, un dolce Ohime is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Qual fora, donna, un dolce Ohime's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Carlo Gesualdo, Delitiæ Musicæ, Marco Longhini's "Gesualdo: Madrigals, Books 5 & 6" album is number 6 out of 44. Based on our statistics, Qual fora, donna, un dolce Ohime's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Qual fora, donna, un dolce Ohime by Carlo Gesualdo, Delitiæ Musicæ, Marco Longhini to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
O mors inevitabili | Jheronimus Vinders, Obsidienne Vocal Ensemble, Emmanuel Bonnardot | G Major | 2 | 9B | 91 BPM | ||
O Vos Omnes, Cantiona Sacra A CInque Voce | Robert Craft, Carlo Gesualdo | G Minor | 2 | 6A | 172 BPM | ||
Three Sacred Hymns: III. Vater unser | Alfred Schnittke, RIAS Kammerchor, Hans-Christoph Rademann | E♭ Major | 1 | 5B | 75 BPM | ||
Sacrarum cantionum quinque vocibus, Liber primus: O vos omnes | Carlo Gesualdo, Il Pomo D'oro, Giuseppe Maletto | E♭ Minor | 1 | 2A | 91 BPM | ||
Motectorum, Book 3: No. 15, Coelorum candor splenduit | Orfeo Vecchi, Don Denis Silano, Carlo Montalenti, Cappella Musicale Eusebiana | G Major | 1 | 9B | 72 BPM | ||
Merce grido piangendo | Carlo Gesualdo, Delitiæ Musicæ, Marco Longhini | E Minor | 0 | 9A | 68 BPM | ||
Vespro della Beata Vergine, SV 206: XIIId. Magnificat "Quia fecit mihi magna" | Claudio Monteverdi, Philippe Herreweghe, Alexander Schneider, Bart Uvyn, Peter Kooij, Wolf Matthias Friedrich, Collegium Vocale Gent | D♭ Major | 2 | 3B | 40 BPM | ||
Guerrero: Trahe me post te | A5 Vocal Ensemble, Francisco Guerrero | B Major | 1 | 1B | 65 BPM | ||
Hacomplaynt: Salve Regina: I. Salve Regina mater misericordiae | Robert Hacomplaynt, Choir of King's College, Cambridge, Stephen Cleobury | F♯ Major | 1 | 2B | 111 BPM | ||
Lassus: Alma Redemptoris Mater | Orlande de Lassus, Peter Phillips, The Tallis Scholars | B♭ Major | 1 | 6B | 69 BPM |
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