"Die Walkure: Act III Scene 3: Leb' wohl, du kuhnes, herrliches Kind! (Wotan), "Wotan's Farewell"" by Richard Wagner, Wolfgang Windgassen, Josef Greindl, Hans Hotter, Gré Brouwenstijn, Astrid Varnay, Georgine Von Milinkovic, Bayreuth Festival Orchestra, Hans Knappertsbusch was released on May 2, 2012. With this song being about 5 minutes long, at 4:45, "Die Walkure: Act III Scene 3: Leb' wohl, du kuhnes, herrliches Kind! (Wotan), "Wotan's Farewell"" by Richard Wagner, Wolfgang Windgassen, Josef Greindl, Hans Hotter, Gré Brouwenstijn, Astrid Varnay, Georgine Von Milinkovic, Bayreuth Festival Orchestra, Hans Knappertsbusch is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Richard Wagner, Hans Knappertsbusch's "Hans Knappertbusch: Richard Wagner's Der Ring Des Nibelungen" album is number 15 out of 205. On top of that, United States appears to be the country where this track was created. In terms of popularity, Die Walkure: Act III Scene 3: Leb' wohl, du kuhnes, herrliches Kind! (Wotan), "Wotan's Farewell" is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Die Walkure: Act III Scene 3: Leb' wohl, du kuhnes, herrliches Kind! (Wotan), "Wotan's Farewell" by Richard Wagner, Wolfgang Windgassen, Josef Greindl, Hans Hotter, Gré Brouwenstijn, Astrid Varnay, Georgine Von Milinkovic, Bayreuth Festival Orchestra, Hans Knappertsbusch to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmina Burana / I. Primo vere: "Omnia Sol temperat" | Carl Orff, Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Eugen Jochum | B♭ Major | 0 | 6B | 76 BPM | ||
Requiem: XIV. Agnus Dei | Giuseppe Verdi, Sir Colin Davis, Christine Brewer, Karen Cargill, London Symphony Orchestra | C Major | 0 | 8B | 173 BPM | ||
Prince Igor (Knyaz Igor): Act II: Myedlenno dyn' ugasal (Slowly the day was fading) (Vladimir) | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | A♭ Major | 2 | 4B | 82 BPM | ||
Scheherazade: Calm at Sea | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 2 | 12B | 84 BPM | ||
Prince Igor (Knyaz Igor): Act II: Dance of the Polovtsian Maidens | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | F Major | 2 | 7B | 95 BPM | ||
War Requiem, Op. 66: i. Requiem Aeternam - Requiem aeternam | Benjamin Britten, Gianandrea Noseda, London Symphony Chorus, London Symphony Orchestra | F Major | 0 | 7B | 133 BPM | ||
4 Norwegian Dances, Op. 35: No. 2 in A-Major: Allegretto tranquillo e grazioso | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | A Major | 0 | 11B | 136 BPM | ||
Götterdämmerung, WWV 86D / Act 3: Fliegt heim, ihr Raben! | Richard Wagner, Birgit Nilsson, Gottlob Frick, Wiener Philharmoniker, Sir Georg Solti | D♭ Major | 3 | 3B | 95 BPM | ||
Turandot / Act 1: "Ah! Per L'Ultima Volta" | Giacomo Puccini, Montserrat Caballé, Luciano Pavarotti, Piero de Palma, Pier Francesco Poli, Tom Krause, Nicolai Ghiaurov, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | F Major | 2 | 7B | 170 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: The Street Wakens - Morning Dance | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | G Major | 2 | 9B | 90 BPM |
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