"War Requiem, Op. 66: i. Requiem Aeternam - Requiem aeternam" by Benjamin Britten, Gianandrea Noseda, London Symphony Chorus, London Symphony Orchestra was released on May 8, 2012. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 26 in Britten: War Requiem by Benjamin Britten, London Symphony Orchestra, Simon Keenlyside, Gianandrea Noseda, Ian Bostridge, London Symphony Chorus, Sabina Cvilak, Choir of Eltham College. Based on our statistics, War Requiem, Op. 66: i. Requiem Aeternam - Requiem aeternam's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of War Requiem, Op. 66: i. Requiem Aeternam - Requiem aeternam by Benjamin Britten, Gianandrea Noseda, London Symphony Chorus, London Symphony Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmina Burana: XV. Amor volat undique | Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox | E Minor | 0 | 9A | 83 BPM | ||
Brandenburg Concerto No.5 in D, BWV 1050: 3. Allegro | Johann Sebastian Bach, English Chamber Orchestra, Benjamin Britten | D Major | 2 | 10B | 116 BPM | ||
War Requiem, Op. 66: xvii. Offertorium - "So Abram rose, and clave the wood" | Benjamin Britten, Gianandrea Noseda, Ian Bostridge, Simon Keenlyside, London Symphony Orchestra | E Minor | 1 | 9A | 90 BPM | ||
Spring Symphony, Op. 44, Part I: Introduction. Shine out (chorus) | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, London Symphony Chorus | D♭ Major | 0 | 3B | 98 BPM | ||
Britten: Four Sea Interludes from Peter Grimes, Op. 33a: No. 1, Dawn | Benjamin Britten, André Previn, London Symphony Orchestra | A Minor | 0 | 8A | 73 BPM | ||
Brandenburg Concerto No. 4 in G, BWV 1049: 2. Andante | Johann Sebastian Bach, English Chamber Orchestra, Benjamin Britten | B♭ Major | 1 | 6B | 109 BPM | ||
The Foggy Foggy Dew | Traditional, Sir Peter Pears, Benjamin Britten | A♭ Major | 0 | 4B | 98 BPM | ||
Cello Concerto: II. Allegro appassionato | William Walton, Yo-Yo Ma, André Previn, London Symphony Orchestra | E Minor | 1 | 9A | 140 BPM | ||
Britten: The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), Op. 34: Fugue (Allegro molto) | Benjamin Britten, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | A Minor | 1 | 8A | 74 BPM | ||
Requiem in D Minor, K. 626: No 10, Sanctus - Sanctus | Wolfgang Amadeus Mozart, Sir Colin Davis, London Symphony Orchestra, London Symphony Chorus | D Major | 3 | 10B | 73 BPM |
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