Friedrich Schorr, Otto Helgers made "Wie? Hört ich recht? (Der fliegende Holländer)" available on September 1, 2006. Since Wie? Hört ich recht? (Der fliegende Holländer) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Friedrich Schorr's "Lebendige Vergangenheit - Friedrich Schorr" album is number 7 out of 16. In terms of popularity, Wie? Hört ich recht? (Der fliegende Holländer) is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Wie? Hört ich recht? (Der fliegende Holländer) by Friedrich Schorr, Otto Helgers to be Moderato (at a moderate speed) because the track has a tempo of 112 BPM, a half-time of 56BPM, and a double-time of 224 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Meistersinger von Nürnberg: O Sachs! Mein Freund! Du teurer Mann! | Richard Wagner, Metropolitan Opera Orchestra, Erich Leinsdorf, Irene Jessner, Friedrich Schorr | A♭ Major | 1 | 4B | 79 BPM | ||
Andrea Chenier: Act I: Compiacente á colloquii | Umberto Giordano, Sherrill Milnes, James Levine | F♯ Minor | 2 | 11A | 129 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Quando rapito in estasi" (Lucia, Alisa) | Gaetano Donizetti, Maria Callas, Anna Maria Canali, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
Rigoletto - Bella Figlia Dell'Amore | Luciano Pavarotti, Adriana Lazzarini, Piero Cappuccilli, Margherita Rinaldi | D♭ Major | 2 | 3B | 61 BPM | ||
Die Meistersinger von Nürnberg: Morgenlich leuchtend | Richard Wagner, Orchestra and Choir of the Metropolitan Opera House, George Chehanovsky, Nicholas Massue, Ludovico Oliviero, Giovanni Paltrinieri, James Wolfe, John Gurney, Erich Leinsdorf, Charles Kullman, Chorus, Friedrich Schorr, Emanuel List, Max Altglass, Louis d'Angelo, Herbert Janssen | D♭ Major | 4 | 3B | 116 BPM | ||
National Anthem Of The People's Republic Of China | Shanghai Philharmonic Chorus, Shanghai Philharmonic Orchestra | G Major | 3 | 9B | 79 BPM | ||
Orff: Carmina Burana, Pt. 2, In Taberna: Estuans interius | Carl Orff, Sir Simon Rattle/Berliner Philharmoniker/Sally Matthews/Christian Gerhaher/Lawrence Brownlee/Knaben des Staats- und Domchors Berlin/Simon Halsey/Rundfunkchor Berlin, Christian Gerhaher, Sir Simon Rattle | E Minor | 2 | 9A | 99 BPM | ||
The Merry Widow (Die lustige Witwe) - Sung In Italian - Act 2: Vilja-Lied | Franz Lehár, Renata Tebaldi, With Orchestral Accompaniment | G Major | 1 | 9B | 88 BPM | ||
Carmen, WD 31 / Act 1: "L'amour est un oiseau rebelle" | Georges Bizet, Marilyn Horne, Wiener Opernchor, Wiener Opernorchester, Henry Lewis | D Major | 2 | 10B | 129 BPM | ||
Puccini: Tosca, Act 1: "Tutto è chiaro ... Tosca? Che non mi veda ... Mario! Mario!" (Tosca, Scarpia, Sacristan) | Giacomo Puccini, Tito Gobbi, Melchiorre Luise, Orchestra Del Teatro Alla Scala, Milano, Victor de Sabata | C Major | 2 | 8B | 111 BPM |
Section: 0.8272356986999512
End: 0.832892656326294