"Aubade, FP 51a: II. Récitatif. Les compagnes de Diane" by Francis Poulenc, Julian Evans, New London Orchestra, Ronald Corp was released on June 21, 1989. With Aubade, FP 51a: II. Récitatif. Les compagnes de Diane being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 21 in the song's album "Poulenc: Aubade & Sinfonietta – Hahn: Le Bal de Béatrice d'Este". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Aubade, FP 51a: II. Récitatif. Les compagnes de Diane's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Aubade, FP 51a: II. Récitatif. Les compagnes de Diane by Francis Poulenc, Julian Evans, New London Orchestra, Ronald Corp having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Quatuor pour la fin du Temps: II. Vocalise, pour l'Ange qui annonce la fin du Temps | Olivier Messiaen, Martin Fröst | F♯ Minor | 0 | 11A | 97 BPM | ||
Quartet in F Minor, Op. 28: II. Adagio | Luise Adolpha Le Beau, Kaleidoscope Chamber Collective | D Major | 1 | 10B | 80 BPM | ||
Eventide: X. Fugato | Kenneth Fuchs, Tim McAllister, Sinfonia Of London, John Wilson | F Major | 0 | 7B | 76 BPM | ||
Symphony No. 9 in D Minor, WAB 109 (1894 Version, Ed. L. Nowak): II. Scherzo. Bewegt, lebhaft | Anton Bruckner, Bamberg Symphony, Jakub Hrůša | D Major | 1 | 10B | 134 BPM | ||
Quartet No. 1 in D minor, Op. 4: 2. Allegro con fuoco | Joly Braga Santos, Quarteto Tejo | A Minor | 3 | 8A | 94 BPM | ||
Prokofiev: Violin Concerto No. 1 in D Major, Op. 19: II. Scherzo. Vivacissimo | Sergei Prokofiev, Sarah Chang, Sir Simon Rattle, Berliner Philharmoniker | A Minor | 2 | 8A | 137 BPM | ||
Summer Schemes (arr. J. Lloyd Webber for cello and piano) | John Ireland, Julian Lloyd Webber, John Lenehan | A♭ Major | 1 | 4B | 66 BPM | ||
String Quartet No. 1 in G Major, Op. 58: II. Strimpellata. Mosso e spensierato | Mario Castelnuovo-Tedesco, Quartetto Adorno | A Major | 2 | 11B | 160 BPM | ||
Tristan und Isolde, WWV 90: VIII, Ankunft an der Burg - Paraphrase for String Septet by Martina Trumpp | Richard Wagner, Martina Trumpp, Stephan Knies, Solistenensemble D'Accord | B Major | 2 | 1B | 85 BPM | ||
El amor brujo (Love, the Magician): En la cueva: La noche (In the Cave: The Night) | Manuel de Falla, Alicia Nafé, Asturias Symphony Orchestra, Maximiano Valdes | A♭ Major | 0 | 4B | 89 BPM |
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