"Concertino bianco: 2. Con venerazione" by Georgs Pelēcis, Johannes Fritzsch, Tamara Anna Cislowska, Tasmanian Symphony Orchestra was released on September 8, 2017. Concertino bianco: 2. Con venerazione is about six minutes long, preciously at 6:25, making this song fairly long compared to other songs. The track order of this song in Johannes Fritzsch, Tasmanian Symphony Orchestra, Tamara-Anna Cislowska's "Into Silence: Pärt | Vasks | Górecki | Pelēcis" album is number 2 out of 18. On top of that, Australia appears to be the country where this track was created. Concertino bianco: 2. Con venerazione is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concertino bianco: 2. Con venerazione by Georgs Pelēcis, Johannes Fritzsch, Tamara Anna Cislowska, Tasmanian Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Armed Man - A Mass For Peace: XII. Benedictus | Karl Jenkins | D Major | 0 | 10B | 90 BPM | ||
Pachelbel: Canon and Gigue for Three Violins and Continuo in D Major: Canon | Johann Pachelbel, János Rolla, Franz Liszt Chamber Orchestra | E Minor | 4 | 9A | 172 BPM | ||
Miniatures for Piano "A Whole in Twelve": No. 2, The Lady Plays | Mikael Ayrapetyan | D♭ Major | 0 | 3B | 75 BPM | ||
Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Nimrod | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | E♭ Major | 1 | 5B | 70 BPM | ||
O Mio Babbino Caro | L'Orchestra Nazionale di Mendoni | A♭ Major | 2 | 4B | 101 BPM | ||
Spiegel im Spiegel (Arr. for Piano) | Arvo Pärt, Tamara-Anna Cislowska, Johannes Fritzsch, Tasmanian Symphony Orchestra | F Major | 0 | 7B | 99 BPM | ||
Fauré: Pavane, Op. 50 | Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields | F♯ Minor | 1 | 11A | 70 BPM | ||
Veiled Autumn | Joseph Schwantner, Tamara Anna Cislowska | D♭ Minor | 0 | 12A | 80 BPM | ||
Autumn | Rosey Chan | G Major | 0 | 9B | 69 BPM | ||
All in the Past (Remembering Oskar Strock) | Georgs Pelēcis, Gidon Kremer | D Minor | 0 | 7A | 58 BPM |
Section: 0.6695780754089355
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