"All in the Past (Remembering Oskar Strock)" by Georgs Pelēcis, Gidon Kremer was released on May 15, 2001. The duration of All in the Past (Remembering Oskar Strock) is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. All in the Past (Remembering Oskar Strock)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Tracing Astor". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United States. All in the Past (Remembering Oskar Strock) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With All in the Past (Remembering Oskar Strock) by Georgs Pelēcis, Gidon Kremer having a BPM of 58 with a half-time of 29 BPM and a double-time of 116 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Memories of a Promenade II | Olga Scheps, Flying Steps | C Minor | 0 | 5A | 74 BPM | ||
Sonata for Solo Harp: I. Allegretto | Germaine Tailleferre, Valérie Milot | D♭ Major | 1 | 3B | 84 BPM | ||
Pärt: Spiegel im Spiegel | Arvo Pärt, Tasmin Little, Martin Roscoe | F Major | 0 | 7B | 80 BPM | ||
Suite from The Victorian Kitchen Garden: V. Summer | Paul Reade, Emma Johnson, Philip Ellis, BBC Concert Orchestra | E♭ Major | 0 | 5B | 129 BPM | ||
GoldBergHain (Quodlibet on "Kraut und Rüben haben mich vertrieben") for Violin & String Orchestra | Stephan Koncz, Niklas Liepe, NDR Radiophilharmonie, Jamie Phillips | G Major | 1 | 9B | 117 BPM | ||
Six Studies in English Folk-Song: II. Andante sostenuto | Ralph Vaughan Williams, Amy Dickson | E♭ Major | 0 | 5B | 65 BPM | ||
Le carnaval des animaux, R. 125: Le cygne | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | C Major | 0 | 8B | 83 BPM | ||
Sadko: Hindu Song (arr. N. Mercz): Hindu Song from the Opera 'Sadko' | Nora Mercz, Nikolai Rimsky-Korsakov, Janos Balint | F Major | 0 | 7B | 65 BPM | ||
How We Danced - Solo Piano Version | Rosey Chan | A Minor | 0 | 8A | 67 BPM | ||
Dido and Aeneas, Z. 626 / Act III: "When I Am Laid in Earth" Dido's Lamento (Arr. by Mathieu Herzog for Cello and Strings) | Henry Purcell, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | G Minor | 1 | 6A | 77 BPM |
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