Arvo Pärt, Tamara-Anna Cislowska, Johannes Fritzsch, Tasmanian Symphony Orchestra's 'Spiegel im Spiegel (Arr. for Piano)' came out on September 8, 2017. Since Spiegel im Spiegel (Arr. for Piano) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Johannes Fritzsch, Tasmanian Symphony Orchestra, Tamara-Anna Cislowska's "Into Silence: Pärt | Vasks | Górecki | Pelēcis" album is number 6 out of 18. In terms of popularity, Spiegel im Spiegel (Arr. for Piano) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Spiegel im Spiegel (Arr. for Piano) by Arvo Pärt, Tamara-Anna Cislowska, Johannes Fritzsch, Tasmanian Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dido and Aeneas, Z. 626 / Act III: "When I Am Laid in Earth" Dido's Lamento (Arr. by Mathieu Herzog for Cello and Strings) | Henry Purcell, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | G Minor | 1 | 6A | 77 BPM | ||
Deborah's Theme (From "Once upon a Time in America") | Ennio Morricone, Khatia Buniatishvili | E Major | 0 | 12B | 139 BPM | ||
Armellodie | Olga Scheps | D Major | 0 | 10B | 72 BPM | ||
The Mausoleum at Halicarnassus - From "Seven Wonders" Suite | Stuart Mitchell, Czech National Symphony Orchestra, Paul Bateman | B Minor | 0 | 10A | 75 BPM | ||
Vaughan Williams: The Lark Ascending: Opening (Excerpt) | Ralph Vaughan Williams, Sir Adrian Boult, New Philharmonia Orchestra | B Minor | 1 | 10A | 102 BPM | ||
Eliza Aria | Elena Kats-Chernin, Tamara Anna Cislowska | F Major | 0 | 7B | 119 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 2, Andante sostenuto "Spurn Point" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 90 BPM | ||
Stargazer Final | Patrick Hawes | B Major | 0 | 1B | 66 BPM | ||
Song to the moon | Antonín Dvořák, Ophélie Gaillard, Tim Redmond, Royal Philharmonic Orchestra | B♭ Major | 2 | 6B | 79 BPM | ||
Spiegel im Spiegel - Version for Cello and Piano | Arvo Pärt, Alexander Malter, Dietmar Schwalke | F Major | 0 | 7B | 86 BPM |
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