"The Mausoleum at Halicarnassus - From "Seven Wonders" Suite" by Stuart Mitchell, Czech National Symphony Orchestra, Paul Bateman was released on March 30, 2015. Since The Mausoleum at Halicarnassus - From "Seven Wonders" Suite is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Since The Mausoleum at Halicarnassus (From "Seven Wonders" Suite) only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from United Kingdom. The Mausoleum at Halicarnassus - From "Seven Wonders" Suite is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Mausoleum at Halicarnassus - From "Seven Wonders" Suite by Stuart Mitchell, Czech National Symphony Orchestra, Paul Bateman having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Biafra | Alex Baranowski, Daniel Hope, Jacques Ammon, Deutsches Kammerorchester Berlin | B♭ Minor | 0 | 3A | 74 BPM | ||
Love Is A Mystery | Ludovico Einaudi, Czech National Symphony Orchestra | D Major | 1 | 10B | 171 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 149 BPM | ||
The Seasons, Op. 67: XIV. Petit Adagio | Alexander Glazunov, Neeme Järvi, Royal Scottish National Orchestra | A Major | 1 | 11B | 87 BPM | ||
Maria | Rona Castrioti, Czech National Symphony Orchestra, Enrico M.R. Fallea | G Minor | 2 | 6A | 80 BPM | ||
Le grand cahier: I. La forêt et la rivière | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov | G Major | 1 | 9B | 115 BPM | ||
Berceuse (Arr. For viola and piano) | Frank Bridge, Enikő Magyar, Tadashi Imai | B♭ Major | 0 | 6B | 84 BPM | ||
Pachelbel: Canon and Gigue for Three Violins and Continuo in D Major: Canon | Johann Pachelbel, János Rolla, Franz Liszt Chamber Orchestra | E Minor | 4 | 9A | 172 BPM | ||
Circles | Franco Piersanti, Czech National Symphony Orchestra | E Minor | 1 | 9A | 173 BPM |
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