- BPM
- 174
- Key
- C Major
- Camelot
- 8B
Bellini: La sonnambula, Act 2 Scene 10: No. 14, Aria, "Ah! non credea mirarti" (Amina) - Vincenzo Bellini, Angela Gheorghiu, Evelino Pidò, London Symphony Orchestra Information
- Acousticness
- 99%
- Danceability
- 19%
- Energy
- 2%
- Instrumentalness
- 1%
- Liveness
- 8%
- Loudness
- 56%
- Speechiness
- 6%
- Valence
- 4%
- Popularity
- 6%
- Loudness
- -26.465 dB
Summary
"Bellini: La sonnambula, Act 2 Scene 10: No. 14, Aria, "Ah! non credea mirarti" (Amina)" by Vincenzo Bellini, Angela Gheorghiu, Evelino Pidò, London Symphony Orchestra was released on June 4, 2001. With this song being about 5 minutes long, at 5:22, "Bellini: La sonnambula, Act 2 Scene 10: No. 14, Aria, "Ah! non credea mirarti" (Amina)" by Vincenzo Bellini, Angela Gheorghiu, Evelino Pidò, London Symphony Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 'Casta Diva', so we believe that "Bellini: La sonnambula, Act 2 Scene 10: No. 14, Aria, "Ah! non credea mirarti" (Amina)" is a single. The popularity of Bellini: La sonnambula, Act 2 Scene 10: No. 14, Aria, "Ah! non credea mirarti" (Amina) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Bellini: La sonnambula, Act 2 Scene 10: No. 14, Aria, "Ah! non credea mirarti" (Amina) BPM
The tempo marking of Bellini: La sonnambula, Act 2 Scene 10: No. 14, Aria, "Ah! non credea mirarti" (Amina) by Vincenzo Bellini, Angela Gheorghiu, Evelino Pidò, London Symphony Orchestra is Vivace (lively and fast), since this song has a tempo of 174 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
Bellini: La sonnambula, Act 2 Scene 10: No. 14, Aria, "Ah! non credea mirarti" (Amina) Key
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Bellini: Norma, Act 1 Scene 4: No. 4d, "Ah! bello a me ritorna" (Norma, Chorus) | Vincenzo Bellini, Angela Gheorghiu, Chorus of the Royal Opera House, Covent Garden, Terry Edwards, London Symphony Orchestra, Evelino Pidò | F Major | 1 | 7B | 116 BPM | |
 | Lucia di Lammermoor / Act 3: Oh, giusto cielo!...Il dolce suono | Gaetano Donizetti, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 1 | 4A | 92 BPM | |
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| Manon Lescaut / Act II: "In quelle trine morbide" | Giacomo Puccini, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | B♭ Minor | 1 | 3A | 168 BPM | |
 | Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | F♯ Minor | 2 | 11A | 156 BPM | |
 | Madama Butterfly: Tu, tu, piccolo iddio | Giacomo Puccini, Leontyne Price, Oliviero de Fabritiis, Orchestra Del Teatro Dell'Opera Di Roma, Wiener Philharmoniker | B Minor | 3 | 10A | 97 BPM | |
 | Bizet: Carmen, WD 31, Act 1 Scene 10: No. 10, Séguedille et Duo, "Près des remparts de Séville" (Carmen, Don José) | Georges Bizet, Maria Callas, Nicolai Gedda, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra | D Major | 1 | 10B | 83 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6739108562469482
End: 0.6769862174987793