George Frideric Handel, Le Concert Spirituel, Herve Niquet made "Water Music Suite No. 2 in D Major, HWV 349: I. Prelude: Allegro" available on January 1, 2003. The duration of Water Music Suite No. 2 in D Major, HWV 349: I. Prelude: Allegro is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Water Music Suite No. 2 in D Major, HWV 349: I. Prelude: Allegro's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, Le Concert Spirituel, Herve Niquet's "Handel, G.F.: Water Music / Music for the Royal Fireworks" album is number 10 out of 24. On top of that, Spain appears to be the country where this track was created. Water Music Suite No. 2 in D Major, HWV 349: I. Prelude: Allegro is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Water Music Suite No. 2 in D Major, HWV 349: I. Prelude: Allegro by George Frideric Handel, Le Concert Spirituel, Herve Niquet to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM | ||
Bach - Prelude and Fugue in D Major, P. 158 (after J.S. Bach's BWV 532): Prelude: Allegro - Meno mosso - Alla breve [Allegro] - Adagio - | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 1 | 10B | 143 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 187 BPM | ||
Antonio Vivaldi: Concerto For 2 Violins In A Minor, Op. 3 No. 8- Allegro (Mouvement 3) | Tafelmusik Baroque Orchestra | A♭ Minor | 2 | 1A | 141 BPM | ||
Symphony No. 1 in B-Flat Major, Op. 2, "New Year Ode": II. Moderato e dolce | William Boyce, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 80 BPM | ||
Let the Bright Seraphim from Samson, HWV 57 - Voice | George Frideric Handel, Wynton Marsalis, Kathleen Battle, John Nelson, Orchestra of St. Luke's | D Major | 1 | 10B | 103 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
Sinfonia for Strings in G major, RV 149: III. Allegro | Karoly Botvay | D Major | 1 | 10B | 146 BPM | ||
Recorder Sonata in F Major, Op. 1 No. 11, HWV 369: I. Larghetto | George Frideric Handel, László Czidra, Pál Kelemen, Zsuzsa Pertis | F Major | 1 | 7B | 76 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: II. Andante | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | G Major | 1 | 9B | 95 BPM |
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