"Orpheus in the Underworld: Galop infernal (Transcr. for Solo Violin and Chamber Orchestra)" by Jacques Offenbach, Daniel Hope, Zürcher Kammerorchester was released on February 2, 2024. The duration of Orpheus in the Underworld: Galop infernal (Transcr. for Solo Violin and Chamber Orchestra) is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Orpheus in the Underworld: Galop infernal (Transcr. for Solo Violin and Chamber Orchestra)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 42 in Dance! by Daniel Hope, Zürcher Kammerorchester. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Orpheus in the Underworld: Galop infernal (Transcr. for Solo Violin and Chamber Orchestra) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Orpheus in the Underworld: Galop infernal (Transcr. for Solo Violin and Chamber Orchestra) by Jacques Offenbach, Daniel Hope, Zürcher Kammerorchester is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 8: IV. Rondo. Allegro molto vivace | Paul von Klenau, Singapore Symphony Orchestra, Hans Graf | D Major | 1 | 10B | 126 BPM | ||
Concerto for Violin, Strings, Lute and Percussion "TYCHE": II. Capriccio. Allegro | Giovanni Sollima, Jonian Ilias Kadesha, CHAARTS Chamber Artists | D♭ Major | 1 | 3B | 119 BPM | ||
Shostakovich: Concerto for Piano, Trumpet and String Orchestra No. 1 in C Minor, Op. 35: IV. Allegro con brio | Dmitri Shostakovich, Cristina Ortiz, Paavo Berglund, Bournemouth Symphony Orchestra | C Minor | 3 | 5A | 79 BPM | ||
Recomposed By Max Richter: Vivaldi, The Four Seasons: Autumn 3 | Max Richter, Daniel Hope, Raphael Alpermann, Konzerthaus Kammerorchester Berlin, Andre de Ridder | B♭ Major | 3 | 6B | 145 BPM | ||
Sarasate: Carmen Fantasy, Op. 25 (After Bizet): IV. Moderato | Pablo de Sarasate, Augustin Hadelich, Cristian Măcelaru, WDR Sinfonieorchester | C Minor | 1 | 5A | 72 BPM | ||
Háry János Suite (Version for Orchestra): V. Közjáték | Zoltán Kodály, Buffalo Philharmonic Orchestra, Joann Falletta | D Minor | 1 | 7A | 113 BPM | ||
8 Slavonic Dances, Op. 46: No. 4 in F (Tempo di minuetto) | Antonín Dvořák, Gewandhausorchester, Kurt Masur | F Major | 0 | 7B | 76 BPM | ||
Symphony No. 2, Op. 52, "Lobgesang": I. Sinfonia: III. Adagio religioso | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | E Major | 1 | 12B | 72 BPM | ||
Turandot, SC 91, Act III: Nessun dorma! | Giacomo Puccini, Cincinnati Pops Orchestra, Erich Kunzel | D Major | 1 | 10B | 135 BPM | ||
7 Pieces enfantines (7 Children's Pieces): Chatterie (Titbit) | Paul Le Flem, Rhenish Philharmonic Orchestra, James Lockhart | B♭ Major | 0 | 6B | 115 BPM |
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