"Sarasate: Carmen Fantasy, Op. 25 (After Bizet): IV. Moderato" by Pablo de Sarasate, Augustin Hadelich, Cristian Măcelaru, WDR Sinfonieorchester was released on August 26, 2022. The duration of Sarasate: Carmen Fantasy, Op. 25 (After Bizet): IV. Moderato is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Sarasate: Carmen Fantasy, Op. 25 (After Bizet): IV. Moderato's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Recuerdos". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. Sarasate: Carmen Fantasy, Op. 25 (After Bizet): IV. Moderato is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Sarasate: Carmen Fantasy, Op. 25 (After Bizet): IV. Moderato by Pablo de Sarasate, Augustin Hadelich, Cristian Măcelaru, WDR Sinfonieorchester having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade for Strings in E Major, B.52: I. Moderato | Antonín Dvořák, Leoš Janáček, Josef Suk, Bohuslav Martinů, Bedřich Smetana, Ciconia Consort, Dick van Gasteren | A Major | 0 | 11B | 181 BPM | ||
Mini Swan Lake Waltz | Dick Walter, David Walter | F♯ Minor | 3 | 11A | 107 BPM | ||
Spartacus Ballet Suite No. 2: II. Entrance of the Merchants, Dance of a Roman Courtesan, General Dance | Aram Khachaturian, Neeme Järvi, Royal Scottish National Orchestra | C Major | 5 | 8B | 83 BPM | ||
Bilder aus Osten, Op. 66 (Arr. for String Orchestra by Friedrich Hermann): III. Im Volkston | Robert Schumann, Lucerne Festival Strings, Daniel Dodds | D♭ Major | 0 | 3B | 71 BPM | ||
Raymonda, Act III: Variation Prestissimo | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | B Major | 0 | 1B | 70 BPM | ||
Canciones Populares Españolas: Nana | Manuel de Falla, Augustin Hadelich, Pablo Sainz Villegas | A Minor | 0 | 8A | 170 BPM | ||
Fantasia on Greensleeves | Ralph Vaughan Williams, Coronation Orchestra, Antonio Pappano | C Minor | 1 | 5A | 83 BPM | ||
Dvorak / Transc. Hadelich: 7 Gypsy Songs, Op. 55, B. 104: No. 4, Songs My Mother Taught Me | Antonín Dvořák, Augustin Hadelich, Charles Owen | B Minor | 1 | 10A | 107 BPM | ||
Serenade for Strings in E Major, Op. 22/B. 52: II. Tempo di Valse | Antonín Dvořák, Lucerne Festival Strings, Daniel Dodds | D♭ Major | 0 | 3B | 71 BPM | ||
Jota aragonesa, Op. 27 | Pablo de Sarasate, Tianwa Yang, Markus Hadulla | G Major | 1 | 9B | 99 BPM |
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