"The Sleeping Beauty, Op. 66 : La Fee-Saphir (Variation III)" by Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice was released on July 31, 1992. With The Sleeping Beauty, Op. 66 : La Fee-Saphir (Variation III) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 65 in the song's album "Tchaikovsky: The Sleeping Beauty (Complete Ballet)". In this album, this song's track order is #6. Based on our statistics, The Sleeping Beauty, Op. 66 : La Fee-Saphir (Variation III)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Sleeping Beauty, Op. 66 : La Fee-Saphir (Variation III) by Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice having a BPM of 151 with a half-time of 76 BPM and a double-time of 302 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 3/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Feuilleton, Op.193 'Features section' | Johann Strauss II, Wiener Johann Strauss Orchester, Willi Boskovsky | C Major | 1 | 8B | 104 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 20 (orch. A. Dvorak) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | E Minor | 1 | 9A | 77 BPM | ||
Old Norwegian Romance, Op.51: Poco tranquillo | Edvard Grieg, Philharmonia Orchestra, Raymond Leppard | F Major | 0 | 7B | 83 BPM | ||
Alpine Rose - Polka Op. 127 | Eduard Strauss, Hallé, Bramwell Tovey | C Major | 0 | 8B | 112 BPM | ||
Paquita: Coda: Allegro moderato | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | D Major | 1 | 10B | 201 BPM | ||
Raymonda, Act I: Valse fantastique | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | F Major | 1 | 7B | 180 BPM | ||
喜歌劇「天国と地獄」 - カンカン | Jacques Offenbach, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | D Major | 6 | 10B | 158 BPM | ||
The Sleeping Beauty, Op. 66, TH.13 / Act 3: 25c. Pas de quatre: Variation II (Bluebird and Florisse) | Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Uri Zagorodniuk, Sergei Roldugin, Valery Gergiev | D♭ Major | 0 | 3B | 87 BPM | ||
La Sylphide: Act I: Arrival of the Guests - Pas d'ecossaise | Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth | C Major | 1 | 8B | 82 BPM | ||
Adam: Giselle, Act 1: No. 5 Variation I | Adolphe Adam, Terence Kern, London Festival Ballet Orchestra | A Major | 2 | 11B | 77 BPM |
Section: 0.5631546974182129
End: 0.5666666030883789