The Sleeping Beauty, Op. 66, TH.13 / Act 3: 25c. Pas de quatre: Variation II (Bluebird and Florisse)
Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Uri Zagorodniuk, Sergei Roldugin, Valery Gergiev
Tschaikowsky, Dornröschen
0:57 January 1, 1994
BPM
87
Key
D♭ Major
Camelot
3B

Embed

Share Link

The Sleeping Beauty, Op. 66, TH.13 / Act 3: 25c. Pas de quatre: Variation II (Bluebird and Florisse) - Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Uri Zagorodniuk, Sergei Roldugin, Valery Gergiev Information

Acousticness
89%
Danceability
9%
Energy
2%
Instrumentalness
4%
Liveness
11%
Loudness
50%
Speechiness
4%
Valence
4%
Popularity
Loudness
-29.7 dB

Summary

"The Sleeping Beauty, Op. 66, TH.13 / Act 3: 25c. Pas de quatre: Variation II (Bluebird and Florisse)" by Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Uri Zagorodniuk, Sergei Roldugin, Valery Gergiev was released on January 1, 1994. With The Sleeping Beauty, Op. 66, TH.13 / Act 3: 25c. Pas de quatre: Variation II (Bluebird and Florisse) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 28 in the song's album "Tschaikowsky, Dornröschen". In this album, this song's track order is #22. Furthermore, we believe that the track originated from Netherlands. The Sleeping Beauty, Op. 66, TH.13 / Act 3: 25c. Pas de quatre: Variation II (Bluebird and Florisse) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

The Sleeping Beauty, Op. 66, TH.13 / Act 3: 25c. Pas de quatre: Variation II (Bluebird and Florisse) BPM

With The Sleeping Beauty, Op. 66, TH.13 / Act 3: 25c. Pas de quatre: Variation II (Bluebird and Florisse) by Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Uri Zagorodniuk, Sergei Roldugin, Valery Gergiev having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 1/4.

The Sleeping Beauty, Op. 66, TH.13 / Act 3: 25c. Pas de quatre: Variation II (Bluebird and Florisse) Key

This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Peer Gynt, Op. 23: No. 16, Anitra's Dance by Edvard Grieg, San Francisco Symphony, Herbert BlomstedtPeer Gynt, Op. 23: No. 16, Anitra's DanceEdvard Grieg, San Francisco Symphony, Herbert BlomstedtA Minor08A82 BPM
Violin Concerto in E Minor, Op. 64, MWV O 14: II. Andante by Felix Mendelssohn, Ray Chen, Daniel Harding, Swedish Radio Symphony OrchestraViolin Concerto in E Minor, Op. 64, MWV O 14: II. AndanteFelix Mendelssohn, Ray Chen, Daniel Harding, Swedish Radio Symphony OrchestraC Major18B85 BPM
21 Hungarian Dances, WoO 1: Hungarian Dance No. 6 in D-Flat Major by Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz21 Hungarian Dances, WoO 1: Hungarian Dance No. 6 in D-Flat MajorSeattle Symphony Orchestra, Johannes Brahms, Gerard SchwarzD Major110B81 BPM
Romeo and Juliet Suite No. 1, Op. 64bis: The Street Awakens (Suite No. 1, Op. 64bis: II) by Sergei Prokofiev, Bergen Philharmonic Orchestra, Andrew LittonRomeo and Juliet Suite No. 1, Op. 64bis: The Street Awakens (Suite No. 1, Op. 64bis: II)Sergei Prokofiev, Bergen Philharmonic Orchestra, Andrew LittonD Major010B125 BPM
Eight Waltzes from Film Music, Suite for Orchestra: Waltz from Eight Waltzes from Film Music, Suite for Orchestra: Waltz from "Michurin" (op.78)Dmitri Shostakovich, Russian Philharmonic Orchestra, Thomas SanderlingB♭ Major16B177 BPM
Pique Dame, Act I: Otkuda eti slyozy by Pyotr Ilyich Tchaikovsky, Modest Ilyich Tchaikovsky, Marina Rebeka, Marco Boemi, Wrocław Opera OrchestraPique Dame, Act I: Otkuda eti slyozyPyotr Ilyich Tchaikovsky, Modest Ilyich Tchaikovsky, Marina Rebeka, Marco Boemi, Wrocław Opera OrchestraE Major212B88 BPM
Le carnaval des animaux, R. 125: I. Introduction - II. Poules et Coqs - III. Hémiones by Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl BöhmLe carnaval des animaux, R. 125: I. Introduction - II. Poules et Coqs - III. HémionesCamille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl BöhmC Major28B96 BPM
Pictures At An Exhibition: The Old Castle by Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria GiuliniPictures At An Exhibition: The Old CastleModest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria GiuliniA♭ Major04B136 BPM
Carnival of the Animals, R. 125: Aviary by Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo MaCarnival of the Animals, R. 125: AviaryCamille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo MaF Major17B162 BPM
Capriccio espagnol, Op. 34: Fandango asturiano by Nikolai Rimsky-Korsakov, Slovak Radio Symphony Orchestra, Keith ClarkCapriccio espagnol, Op. 34: Fandango asturianoNikolai Rimsky-Korsakov, Slovak Radio Symphony Orchestra, Keith ClarkA Minor28A92 BPM
ISRC
NLA509200845
Label
L-M Records/RCA Records

Section: 0.8135085105895996

End: 0.817192792892456