Johann Sebastian Bach, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier made "Fugue in G Minor, BWV 578, "Little Fugue" (arr. L. Stokowski)" available on September 1, 2006. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 12 in Bach, J.S. / Purcell / Handel: Stokowski Transcriptions by Leopold Stokowski, José Serebrier. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Fugue in G Minor, BWV 578, "Little Fugue" (arr. L. Stokowski) is currently below average in popularity. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Fugue in G Minor, BWV 578, "Little Fugue" (arr. L. Stokowski) by Johann Sebastian Bach, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie fantastique, Op. 14, H. 48: II. Un bal: Allegro non troppo | Hector Berlioz, Slovak Radio Symphony Orchestra, Pinchas Steinberg | C Major | 1 | 8B | 118 BPM | ||
Keyboard Concerto No. 4 in A Major, BWV 1055 (Arr. M. Munclinger for Flute and Orchestra): III. Allegro ma non tanto | Johann Sebastian Bach, Jean-Pierre Rampal, Frantisek Sláma, Frantisek Posta, Josef Hála, Ars Rediviva Orchestra Of Prague, Milan Munclinger | C Major | 2 | 8B | 80 BPM | ||
Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM | ||
Fantasia And Fugue In C Minor (Extracts), Bwv 906: Fantasia In C Minor, BWV 906 | Janos Sebestyen, Johann Sebastian Bach | C Minor | 3 | 5A | 107 BPM | ||
Flute Sonata in E-Flat Major, BWV 1031: II. Siciliano (arr. for flute and harp) | Anonymous , Johann Sebastian Bach, Eszter Horgas, Andrea Vigh | D Minor | 0 | 7A | 88 BPM | ||
La Mer, L.109: 1. From Dawn Till Noon On The Sea (De l'aube à midi sur la mer) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | F♯ Major | 1 | 2B | 61 BPM | ||
Brandenburg Concerto No. 3 in G major, BWV 1048: Allegro | Rudolf Baumgartner | G Major | 6 | 9B | 122 BPM | ||
Debussy: Syrinx, L. 129: Syrinx (Très modéré - Un peu mouvementé) | Claude Debussy, Emmanuel Pahud | A♭ Major | 0 | 4B | 65 BPM | ||
Love's Labour's Lost, Op. 28a: III. Dumaine's Poem | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | G Minor | 1 | 6A | 105 BPM | ||
Berceuse, Op. 16 | Gabriel Fauré, Michael Healy, RTE Sinfonietta, John Georgiadis | D Major | 0 | 10B | 75 BPM |
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