Johann Sebastian Bach, Jean-Pierre Rampal, Frantisek Sláma, Frantisek Posta, Josef Hála, Ars Rediviva Orchestra Of Prague, Milan Munclinger made "Keyboard Concerto No. 4 in A Major, BWV 1055 (Arr. M. Munclinger for Flute and Orchestra): III. Allegro ma non tanto" available on 1984. With this song being around four minutes long, at 3:50, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 10 in Bach: 3 Concertos for Flute by Johann Sebastian Bach, Jean-Pierre Rampal, Ars Rediviva Orchestra of Prague, Milan Munclinger. Keyboard Concerto No. 4 in A Major, BWV 1055 (Arr. M. Munclinger for Flute and Orchestra): III. Allegro ma non tanto is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Keyboard Concerto No. 4 in A Major, BWV 1055 (Arr. M. Munclinger for Flute and Orchestra): III. Allegro ma non tanto by Johann Sebastian Bach, Jean-Pierre Rampal, Frantisek Sláma, Frantisek Posta, Josef Hála, Ars Rediviva Orchestra Of Prague, Milan Munclinger is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Concerto for 2 Harpsichords, Strings & Continuo in C Minor, BWV 1060 - Reconstruction For Oboe, Violin, Strings & Continuo: II. Adagio | Johann Sebastian Bach, Lisa Batiashvili, François Leleux, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc | C Minor | 1 | 5A | 109 BPM | ||
Concerto No 6 in C minor - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | B Minor | 2 | 10A | 140 BPM | ||
Premier livre de pieces de clavecin - Troisième Suite: Le coucou | Louis-Claude Daquin, George Malcolm | E Minor | 3 | 9A | 122 BPM | ||
Bach, JS: Sonata for Two Flutes in G Major, BWV 1039: II. Allegro ma non presto | Johann Sebastian Bach, Emmanuel Pahud, Jonathan Manson, Silvia Careddu, Trevor Pinnock | F♯ Major | 1 | 2B | 141 BPM | ||
Concerto Grosso in B-Flat Major, Op. 3, No. 2, HWV 313: III. Allegro | George Frideric Handel, Iona Brown, Jonathan Rees, Academy of St. Martin in the Fields | E Minor | 0 | 9A | 106 BPM | ||
Brandenburg Concerto No. 1 in F, BWV 1046: 3. Allegro | Johann Sebastian Bach, Hansheinz Schneeberger, Manfred Clement, Hermann Baumann, Werner Meyendorf, Karl Kolbinger, Hedwig Bilgram, Münchener Bach-Orchester, Karl Richter | F Major | 4 | 7B | 117 BPM | ||
Overture (Suite) in E-Flat Major, TWV 55:Es3, "La lyra": VII. Gigue | Georg Philipp Telemann, Northern Chamber Orchestra, Nicholas Ward | E♭ Major | 2 | 5B | 125 BPM | ||
Symphony No. 5 in D Major, Op. 2, "St. Cecilia's Day Ode": III. Tempo di Minuetto | William Boyce, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 93 BPM | ||
Concerto for 2 Oboes in C Major, Op. 7, No. 2: I. Allegro | Tomaso Albinoni, Anthony Camden, Alison Alty, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 102 BPM | ||
Trio Sonata in G Minor: IV. Allegro | Johann Friedrich Fasch, Danubius Ensemble | G Minor | 1 | 6A | 101 BPM |
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