Joseph Haydn, London Philharmonic Orchestra, Eugen Jochum made "Symphony No. 93 in D Major, Hob. I:93: I. Adagio - Allegro assai" available on January 1, 2003. Since Symphony No. 93 in D Major, Hob. I:93: I. Adagio - Allegro assai is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Joseph Haydn, London Philharmonic Orchestra, Eugen Jochum's "Haydn: The 12 "London" Symphonies" album is number 1 out of 60. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Symphony No. 93 in D Major, Hob. I:93: I. Adagio - Allegro assai's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Symphony No. 93 in D Major, Hob. I:93: I. Adagio - Allegro assai by Joseph Haydn, London Philharmonic Orchestra, Eugen Jochum to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Keyboard Concerto in D Minor, Wq. 23, H. 427: I. Allegro | Carl Philipp Emanuel Bach, Michael Rische, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | D Minor | 2 | 7A | 133 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | E♭ Major | 1 | 5B | 87 BPM | ||
Water Music Suite No.1 In F, HWV 348: 1. Ouverture (Grave - Allegro) | George Frideric Handel, Simon Standage, Elizabeth Wilcock, The English Concert, Trevor Pinnock | E Major | 3 | 12B | 123 BPM | ||
Holberg Suite, Op.40: 5. Rigaudon (Allegro con brio) | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 128 BPM | ||
La bergère châtelaine, S. 5 (Excerpts): Entr'acte to Act II | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | A Major | 2 | 11B | 111 BPM | ||
String Quartet No. 14 in G Major, K. 387: III. Andante cantabile | Eder Quartet | C Major | 0 | 8B | 65 BPM | ||
String Quintet In C, D. 956: 3. Scherzo (Presto) - Trio (Andante sostenuto) | Franz Schubert, Mstislav Rostropovich, Emerson String Quartet | C Major | 2 | 8B | 107 BPM | ||
String Quintet in F Major, Op. 20, No. 3, G. 291: I. Prestissimo | Luigi Boccherini, Quintetto Boccherini | F Major | 2 | 7B | 161 BPM | ||
Symphony in D Major | Domenico Cimarosa, Chopin Chamber Orchestra, Winston Dan Vogel | A Major | 1 | 11B | 118 BPM |
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