"4 Pieces: No. 2. Allegro scherzando" by Aarre Merikanto, Janne Marttila, Tampere Philharmonic Orchestra, Tuomas Ollila-Hannikainen was released on January 1, 1998. With 4 Pieces: No. 2. Allegro scherzando being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Aarre Merikanto, Tapani Länsio, Tuomas Ollila-Hannikainen's "Merikanto, A.: Orchestral Music (Lansio)" album is number 4 out of 8. 4 Pieces: No. 2. Allegro scherzando is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 4 Pieces: No. 2. Allegro scherzando by Aarre Merikanto, Janne Marttila, Tampere Philharmonic Orchestra, Tuomas Ollila-Hannikainen to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
DANCE: III. in the middle of the fighting | Anna Clyne, Inbal Segev, London Philharmonic Orchestra, Marin Alsop | A Minor | 1 | 8A | 82 BPM | ||
Serenade in D Major: II. Scherzo. Allegro vivace | Dame Ethel Smyth, Odaline de la Martinez, BBC Philharmonic | G Major | 1 | 9B | 148 BPM | ||
5 Preludes: No. 4. Andante con moto | William Alwyn, Royal Liverpool Philharmonic Orchestra, David Lloyd-Jones | E Major | 0 | 12B | 0 BPM | ||
Pierné: Pièce, Op. 5 | Gabriel Pierné, François Leleux, Emmanuel Strosser | B♭ Major | 1 | 6B | 95 BPM | ||
The Tempest, Suite No. 2, Op. 109: III. Dance of the Nymphs | Jean Sibelius, Lahti Symphony Orchestra, Okko Kamu | C Major | 0 | 8B | 131 BPM | ||
Elégie in C Minor, Op. 24 (Arr. Parkin) | Gabriel Fauré, Sheku Kanneh-Mason, Rowena Calvert, Ashok Klouda, Nicholas Trygstad, Caroline Dearnley, Desmond Neysmith, Josephine Knight, Hannah Roberts, Chris Murray, Robert Max | A♭ Major | 0 | 4B | 88 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Ravel: Pavane pour une infante défunte, M. 19 | Maurice Ravel, Daniel Barenboim, Chicago Symphony Orchestra | G Major | 0 | 9B | 102 BPM | ||
What Is the Love That Dare Not Speak It's Name? | Debbie Wiseman, Arthur Sullivan | F Major | 1 | 7B | 92 BPM | ||
V. Pieds-en-l'air | Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | G Major | 0 | 9B | 85 BPM |
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