"What Is the Love That Dare Not Speak It's Name?" by Debbie Wiseman, Arthur Sullivan was released on September 30, 1997. With What Is the Love That Dare Not Speak It's Name? being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Wilde (Original Motion Picture Soundtrack) by Debbie Wiseman. The song's track number on the album is #16 out of 21 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, What Is the Love That Dare Not Speak It's Name? is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since What Is the Love That Dare Not Speak It's Name? by Debbie Wiseman, Arthur Sullivan has a tempo of 92 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With What Is the Love That Dare Not Speak It's Name? being at 92 BPM, the half-time would be 46 BPM with a double-time of 184 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): I. Prelude - Andante molto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | E Major | 1 | 12B | 94 BPM | ||
Made Of Dreams | Return Of Dream | B♭ Minor | 2 | 3A | 172 BPM | ||
Much Ado about Nothing Suite, Op. 11: IV. Intermezzo (Garden Scene) | Erich Wolfgang Korngold, Mineria Symphony Orchestra, Carlos Miguel Prieto | C Major | 3 | 8B | 85 BPM | ||
Ad unum (Concerto mov. 3) | Carlo Matti | F♯ Minor | 1 | 11A | 92 BPM | ||
二つの悲しき旋律: 第2曲: 過ぎし春 | Edvard Grieg, 石田泰尚, 石田組 | F Major | 1 | 7B | 74 BPM | ||
Josephs-Legende, Op. 63, TrV 231: Der Sheik verbeugt sich nochmals und winkt noch einmal nach oben. Etwas ruhiger | Richard Strauss, Staatskapelle Halle, Fabrice Bollon | D Minor | 1 | 7A | 135 BPM | ||
Action in War | James Wong | E♭ Major | 1 | 5B | 83 BPM | ||
Handel: Messiah, HWV 56, Pt. 1: Sinfony. Grave - Allegro moderato | George Frideric Handel, Otto Klemperer, Philharmonia Orchestra | E Minor | 2 | 9A | 87 BPM | ||
Serenade for Strings in E Major, B.52: I. Moderato | Antonín Dvořák, Leoš Janáček, Josef Suk, Bohuslav Martinů, Bedřich Smetana, Ciconia Consort, Dick van Gasteren | A Major | 0 | 11B | 181 BPM | ||
Sonatina Luxuria | Lorena Velic | F♯ Minor | 1 | 11A | 75 BPM |
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