"Le Corsaire : Act II, No.20 Masculine Variation" by Orchestra of Ekaterinburg State Academic Opera and Ballet Theatre of Russia, Evgeny Brazhnik was released on January 1, 2003. With Le Corsaire : Act II, No.20 Masculine Variation being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 11 out of 30 in Ballet Highlights. Adam, Delibes by Orchestra of Ekaterinburg State Academic Opera and Ballet Theatre of Russia. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Le Corsaire : Act II, No.20 Masculine Variation's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Le Corsaire : Act II, No.20 Masculine Variation by Orchestra of Ekaterinburg State Academic Opera and Ballet Theatre of Russia, Evgeny Brazhnik is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Quixote: Prologue: Allegro | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | A Minor | 0 | 8A | 128 BPM | ||
La Sylphide: Act I: Overture | Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth | E Major | 1 | 12B | 132 BPM | ||
Adam & Drigo: Le Corsaire: Pas-de-deux - No. 2, Variation I (Allegro) | Adolphe Adam, Riccardo Drigo, London Festival Ballet Orchestra, Terence Kern | A♭ Major | 4 | 4B | 97 BPM | ||
Die Puppenfee (The Fairy Doll): No. 2 | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | F Major | 2 | 7B | 133 BPM | ||
8 Slavonic Dances, Op.46, B.83: No.5 in A Major (Allegro vivace) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | E Major | 3 | 12B | 142 BPM | ||
Le Corsaire: Act I - "12. Pas de Trois des Odalisques: Coda: Odalisques" | Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes | B Major | 1 | 1B | 86 BPM | ||
La Sylphide: Act I: Arrival of the Guests - Pas d'ecossaise | Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth | C Major | 1 | 8B | 82 BPM | ||
Carnaval, Op. 9 (Orch. M. Ravel): No. 16. Valse allemande | Maurice Ravel, Robert Schumann, Orchestre National De Lyon, Leonard Slatkin | A♭ Major | 0 | 4B | 90 BPM | ||
Aunt Marge's Waltz (From "Harry Potter And The Prisoner Of Azkaban") | John Williams, Cincinnati Pops Orchestra, Erich Kunzel | F Major | 2 | 7B | 136 BPM | ||
Perlen der Liebe, Walzer, Op. 39 | Josef Strauss, Franz Welser-Möst, Wiener Philharmoniker | D Major | 1 | 10B | 134 BPM |
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