"Voce'e notte (orch. G. Chiaramello)" by Ernesto de Curtis, Giancarlo Chiaramello, Dmitri Hvorostovsky, Russian Philharmonia, Constantine Orbelian was released on January 1, 2001. The duration of Voce'e notte (orch. G. Chiaramello) is about 3 minutes long, at 3:13. Based on our data, "Voce'e notte (orch. G. Chiaramello)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Dmitri Hvorostovsky, Constantine Orbelian's "Hvorostovsky, Dmitri: Baritone Arias - Curtis, E. / Tagliaferri, E. / Capua, E. / Cardillo, S. / Bixio, C. / Tosti, F. / Gambardella, S." album is number 9 out of 17. Based on our statistics, Voce'e notte (orch. G. Chiaramello)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Voce'e notte (orch. G. Chiaramello) by Ernesto de Curtis, Giancarlo Chiaramello, Dmitri Hvorostovsky, Russian Philharmonia, Constantine Orbelian to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 5, Op. 73 "Emperor": I. Allegro | Ludwig van Beethoven, Emil Gilels, George Szell, Cleveland Orchestra | E♭ Major | 1 | 5B | 128 BPM | ||
Parlami d'amore, Mariu (orch. L. Logi) | Cesare Andrea Bixio, L. Logi, Dmitri Hvorostovsky, Russian Philharmonia, Constantine Orbelian | F Major | 1 | 7B | 67 BPM | ||
Non ti scordar di me | Ernesto de Curtis, Francisco Araiza, Ralf Weikert | A Major | 2 | 11B | 80 BPM | ||
Serse, HWV 40: Ombra mai fu | George Frideric Handel, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | E Major | 1 | 12B | 135 BPM | ||
Tu, ca nun chiagne! | Ernesto de Curtis, Cesare Siepi, Dino di Stefano, Unknown Orchestra | B♭ Minor | 2 | 3A | 76 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance II | Alexander Borodin, Choir of Mariinsky Theatre, Saint Petersburg, Paavo Järvi, Orchestre Philharmonique de Radio France | A Major | 1 | 11B | 75 BPM | ||
Boccherini: String Quintet in E Major, Op. 11 No. 5, G. 275: III. Minuetto. Con un poco di moto - (Performed in A Major) | Luigi Boccherini, Europa Galante, Fabio Biondi | F Major | 4 | 7B | 89 BPM | ||
Chorus Of The Hebrew Slaves (Nabucco) | Choir and Orchestra of the Budapest State Opera, Josif Conta, Consortium Musicum Ljubjlana | D♭ Major | 0 | 3B | 142 BPM | ||
Frühlingsstimmen, Op. 410 (Version for Orchestra) | Johann Strauss II, Cologne New Philharmonic Orchestra, Volker Hartung | C Minor | 1 | 5A | 104 BPM | ||
Rigoletto | Tito Gobbi | F♯ Major | 4 | 2B | 0 BPM |
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