"Vigilate a 5, T. 27 (Cantiones Sacrae, 1589)" by William Byrd, Owain Park, The Gesualdo Six was released on March 30, 2018. With this song being around four minutes long, at 4:08, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 17 in English Motets: From Dunstaple to Gibbons by The Gesualdo Six, Thomas Tallis, Owain Park, William Byrd, Thomas Tomkins, John Sheppard, Robert White, John Dunstable, Thomas Morley, John Taverner, William Cornysh I, Orlando Gibbons, Robert Parsons. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Vigilate a 5, T. 27 (Cantiones Sacrae, 1589) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Vigilate a 5, T. 27 (Cantiones Sacrae, 1589) by William Byrd, Owain Park, The Gesualdo Six is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tantum ergo, WAB 42 | Anton Bruckner, Latvian Radio Choir, Kristīne Adamaite, Sigvards Kļava | A Major | 2 | 11B | 135 BPM | ||
Dulces exuviae | Marbrianus de Orto, Capilla Flamenca, Patrick Denecker | A Minor | 2 | 8A | 67 BPM | ||
Mass for Five Voices - 4a. Sanctus | William Byrd, The Tallis Scholars, Peter Phillips | D♭ Minor | 1 | 12A | 81 BPM | ||
Der Gerechte, ob er gleich zu zeitlich stirbt | Johann Christoph Bach, Vox Luminis, Lionel Meunier | F Major | 1 | 7B | 124 BPM | ||
Missa Tempore Quadragesimae, MH 553: Credo: Et resurrexit | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | F Minor | 0 | 4A | 80 BPM | ||
Allegri: Miserere - 03. Tibi Soli Peccavi | The Tallis Scholars, Peter Phillips | B♭ Major | 1 | 6B | 77 BPM | ||
Three Sacred Hymns: I. Gegrüßet seist du, Jungfrau, Mutter Gottes | Alfred Schnittke, RIAS Kammerchor, Hans-Christoph Rademann | D Major | 1 | 10B | 74 BPM | ||
Mass A 5: Sanctus | Oxford Camerata, William Byrd | C Minor | 1 | 5A | 78 BPM | ||
Geistliche und weltliche Lieder: XIV, Wohl dem, der den Herren fürchtet | Leonard Lechner, Kristen Witmer, Daniel Schreiber, Raphael Höhn, Wolf Matthias Friedrich, Capricornus Ensemble Stuttgart, Henning Wiegrabe | E♭ Major | 2 | 5B | 96 BPM | ||
Missa Tempore Quadragesimae, MH 553: Sanctus | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A Major | 1 | 11B | 128 BPM |
Section: 0.5510220527648926
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