"Branles du village" by Robert Ballard, Baltimore Consort had its release date on January 1, 1993. With this song being around four minutes long, at 3:55, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 26 in the song's album "Renaissance Music (Instrumental and Vocal) - Le Roy, A. / Praetorius, M. / Bassano, G. / Phalese, P. (La Rocque' N' Roll)". In this album, this song's track order is #21. Based on our statistics, Branles du village's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Branles du village by Robert Ballard, Baltimore Consort having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piva a due liuti | Joan Ambrosio Dalza, Eduardo Paniagua, Música Antigua | C Major | 3 | 8B | 109 BPM | ||
Innsbruck, ich muß dich lassen | Heinrich Isaac, Harmonia Recorder Ensemble | C Major | 0 | 8B | 135 BPM | ||
De Fuenllana : Christe | Heringman | A Minor | 0 | 8A | 62 BPM | ||
Variationen 'Nun sich der Tag geendet hat' | Adam Falkenhagen, Lutz Kirchhof | F♯ Minor | 2 | 11A | 103 BPM | ||
Toccata VIII | Alessandro Piccinini, Rosario Conte | F♯ Minor | 1 | 11A | 94 BPM | ||
Piva | Joan Ambrosio Dalza, Shirley Rumsey | G Major | 1 | 9B | 122 BPM | ||
M. Buctons his Galiard (Susanna Galliard) from Lachrimae, or Seaven Teares | John Dowland, Fretwork | F Minor | 0 | 4A | 101 BPM | ||
Tastar de corde | Joan Ambrosio Dalza, Shirley Rumsey | C Minor | 0 | 5A | 82 BPM | ||
Falla con misuras | Guglielmo Ebreo da Pesaro, Capilla Flamenca | E Minor | 0 | 9A | 84 BPM | ||
Fuga e due liuti | Vincenzo Galilei, Massimo Lonardi, Ugo Nastrucci | C Major | 1 | 8B | 87 BPM |