Thomas Schippers, Coro Del Teatro Dell'Opera Di Roma, Angelo Mercuriale, Orchestra Del Teatro Dell'Opera Di Roma, Franco Corelli, Gianni Lazzari's 'Il Trovatore (1990 Digital Remaster), ACT 3 Scene 2: Di quella pira, l'orrendo foco (Manrico, Ruiz, Soldiers)' came out on 2004. The duration of Il Trovatore (1990 Digital Remaster), ACT 3 Scene 2: Di quella pira, l'orrendo foco (Manrico, Ruiz, Soldiers) is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Il Trovatore (1990 Digital Remaster), ACT 3 Scene 2: Di quella pira, l'orrendo foco (Manrico, Ruiz, Soldiers)'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 100 Best Opera Classics, so we believe that "Il Trovatore (1990 Digital Remaster), ACT 3 Scene 2: Di quella pira, l'orrendo foco (Manrico, Ruiz, Soldiers)" is a single. Il Trovatore (1990 Digital Remaster), ACT 3 Scene 2: Di quella pira, l'orrendo foco (Manrico, Ruiz, Soldiers) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Il Trovatore (1990 Digital Remaster), ACT 3 Scene 2: Di quella pira, l'orrendo foco (Manrico, Ruiz, Soldiers) by Thomas Schippers, Coro Del Teatro Dell'Opera Di Roma, Angelo Mercuriale, Orchestra Del Teatro Dell'Opera Di Roma, Franco Corelli, Gianni Lazzari is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Puccini: Gianni Schicchi: "Povero Buoso!" (Rinuccio, Zita, Gherardo, Nella, Betto, Simone, Marco, La Ciesca, Gherardino) | Giacomo Puccini, Gabriele Santini, Orchestra Del Teatro Dell'Opera Di Roma, Tito Gobbi, Victoria de los Ángeles, Anna Maria Canali, Claudio Cornoldi, Saturno Meletti, Fernando Valentini, Lidia Marimpietri, Carlo Del Monte, Giuliana Raymondi, Alfredo Marceneiro, Paolo Montarsolo, Adelio Zagonara | A Major | 2 | 11B | 76 BPM | ||
Donizetti: Lucia di Lammermoor, Act 2: "Sconsigliato! In questa portachi ti guida?" (Enrico, Edgardo, Raimondo, Lucia, Chorus) | Gaetano Donizetti, Tito Gobbi, Coro del Maggio Musicale Fiorentino, Giuseppe Di Stefano, Orchestra del Maggio Musicale Fiorentino, Raffaele Arie, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
The Rake's Progress / Act 2 / Scene 3: "As I was saying, both brothers.." | Igor Stravinsky, Sarah Walker, Philip Langridge, London Sinfonietta, Riccardo Chailly | D Minor | 2 | 7A | 141 BPM | ||
Las Golondrinas, Escena 3ª, II parte: "Fuego de paja en el viento" | Coro del Gran Teatro Lírico de Bacelona, Carlo Galeffi, Mercedes Plantada | E♭ Major | 2 | 5B | 129 BPM | ||
Strauss II, J: La chauve-souris, Act 2: Couplets. "Pour un marquis de si bel air" (Arlette) | Johann Strauss II, Franck Pourcel, Liliane Berton, Orchestre De La Société Des Concerts Du Conservatoire | G Major | 2 | 9B | 82 BPM | ||
Suor Angelica: O sorelle in pio lavoro | Giacomo Puccini, Isobel Buchanan, Dame Joan Sutherland, Elizabeth Connell, Miriam Bowen, National Philharmonic Orchestra, Richard Bonynge | D♭ Major | 1 | 3B | 91 BPM | ||
Les 7 paroles du Christ: 4e Parole - "Deus meus, ut quid dereliquisti me ?" | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | E♭ Major | 0 | 5B | 82 BPM | ||
Amahl and the Night Visitors: "Oh, No, Wait" | NBC Symphony Orchestra, Thomas Schippers, Chet Allen, Rosemary Kuhlman, Andrew McKinley, David Aiken, Leon Lishner, Francis Monachino | C Major | 1 | 8B | 68 BPM | ||
Orphée aux enfers, ACT 1, Deuxième tableau: l'Olympe: Pour séduire Alcmène..(Minerve/Choeur/Diane/Cupidon/Venus/Pluton) | Jacques Offenbach, Jean-Paul Fouchécourt/Patricia Petibon/Jennifer Smith/Véronique Gens/Virginie Pochon/Choeurs de l'Opéra National de Lyon/Orchestre de l'Opéra National de Lyon/Orchestre de Chambre de Grenoble/Marc Minkowski, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | G Major | 2 | 9B | 111 BPM | ||
Cimarosa: Il sacrificio d’Abramo: "Chi per pietà mi dice" - "Deh, parlate" (Sara) | Domenico Cimarosa, Sir Neville Marriner, Amanda Roocroft, Academy of St. Martin in the Fields, John Constable, Stephen Orton | E♭ Major | 1 | 5B | 75 BPM |
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